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Vincent Willem van Gogh ( Dutch: [ˈvɪnsɛnt ˈʋɪləɱ‿vɑŋ‿ˈɣɔx] ⓘ; [note 1] 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2100 artworks, including around 860 oil paintings ...
- Early Life
- A Full-Time Artist
- Paris
- Southern France
- Mental Instability
- Death & Legacy
Vincent Willem van Gogh was born on 30 March 1853 in Groot-Zundert, the Netherlands. His mother was Anna Cornelia Carbentus (1819-1907) and his father, Theodorus (1822-1885), was a pastor in the Dutch Reformed Church. Significantly, three of Vincent's uncles worked in the art trade. Vincent did well at school in Zevenbergen and Tilburg, and he took...
With his attic studio at Shenkweg, The Hague, Vincent began to use as a model a seamstress and former prostitute, Clasina Maria Hoornik (called Sien). Vincent and Sien then lived together, the artist also supporting Sien's mother and his model's two children, an act of kindness which neither his parents nor fellow artists in The Hague approved of. ...
Vincent joined up with Theo in Paris, and the pair shared an apartment for the next two years. From his arrival in March, Vincent visited galleries, and he learnt first-hand from fellow artists of the new movement in art – impressionism – and its preoccupation with light and capturing a particular scene at a particular moment with quick brushstroke...
Tired of the rivalry between artists in Paris and seeking warmer weather to boost his frail health, Vincent moved to Arles in the south of France in February 1888, where he began by far the most productive period of his career, rattling off countless paintings. While not isolated from company, Vincent did struggle to make meaningful relations with ...
Vincent hoped to form an artist's community in Arles, and he invited such young painters as Gauguin and Emile Bernard (1868-1941). The former did come to Arles in October 1888, and the pair lived and worked together, both funded by Theo. The two painters influenced each other – Vincent's bright colours on Gauguin's palette, and Gauguin's encouragem...
On 27 July, van Gogh, after painting in a field, suffered another attack. He shot himself in the chest with a pistol but managed to drag himself back to his inn. Theo was once again called. Vincent was still alive when his brother arrived, but he died from his wound in the morning of 29 July. An added tragedy was that the artist was just beginning ...
- Mark Cartwright
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Sep 10, 2023 · Indeed, the Van Gogh collector’s pens have quickly become iconic for the well-known Florentine brand and are further evidence of how pictorial art is an inexhaustible source of inspiration for the creativity and flair of Visconti’s master artisans. Van Gogh was interested in the Impressionists, particularly for their use of light.
List of Doctor Who episodes (2005–present) " Vincent and the Doctor " is the tenth episode of the fifth series of British science fiction television series Doctor Who, first broadcast on BBC One on 5 June 2010. It was written by Richard Curtis and directed by Jonny Campbell and featured an uncredited guest appearance from actor Bill Nighy .
Van Gogh in Arles. New York: Metropolitan Museum of Art, 1984. See on MetPublications. Pickvance, Ronald. Van Gogh in Saint-Rémy and Auvers. New York: Metropolitan Museum of Art, 1986. See on MetPublications. Selected and edited by Ronald de Leeuw. The Letters of Vincent van Gogh. London: Penguin, 2006. Stein, Susan Alyson, ed. Van Gogh: A ...
For Vincent van Gogh (1853–1890), the answer was clear: color. “What I’m most passionate about, much much more than all the rest in my profession,” he enthused to his sister, Willemien, “is the portrait, the modern portrait. I seek it by way of color.” 1 With its vivid palette, spirited handling, and exuberant background, Portrait ...
Dec 6, 2023 · Technical challenges. Van Gogh had had the subject of a blue night sky dotted with yellow stars in mind for many months before he painted The Starry Night in late June or early July of 1889. It presented a few technical challenges he wished to confront—namely the use of contrasting color and the complications of painting en plein air ...
