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  1. It depicts Thomas Cromwell, one of the artist’s patrons during his second trip to London in the summer of 1532. Determined to become Henry VIII’s court painter, Holbein continued to paint portraits during this period, primarily of German merchants in England.

  2. Holbein's Portrait of Thomas Cromwell, is a smaller than usual panel painting, which was painted when the sitter was about 48. It is one of two portraits which Holbein completed of Cromwell; the second is a circular picture, part of a series of medallions of Tudor statesmen and courtiers.

  3. Feb 16, 2018 · How people imagine Sir Thomas More and Thomas Cromwell, these two very different ministers to Henry VIII, has something to do with their famous portraits by Hans Holbein the Younger, the German artist whose work defined the Tudor era.

  4. Holbein painted Thomas Cromwell on the cusp of power, six years after he had painted the portrait of his first English patron, Thomas More. Each intended for a different patron, the unforeseeable twists of provenance have resulted in their current location in the same collection, almost half a millennium later.

  5. Holbein also painted the occasional portrait in Basel, among them the double portrait of Jakob and Dorothea Meyer, and, in 1519, that of the young academic Bonifacius Amerbach. According to art historian Paul Ganz, the portrait of Amerbach marks an advance in his style, notably in the use of unbroken colours. [39]

  6. Jul 19, 2011 · ‘Portrait of Thomas Cromwell’ was created in c.1533 by Hans Holbein the Younger in Northern Renaissance style. Find more prominent pieces of portrait at Wikiart.org – best visual art database.

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  8. Mar 28, 2024 · Did Holbein refuse to paint Cranmer? Perhaps he was too busy? Our German maestro had come to England in the 1520s with letters of introduction to Sir Thomas More – a devout Catholic.

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