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- The Smashing Pumpkins have announced their plans to celebrate the 25th anniversary of Mellon Collie and the Infinite Sadness with a sequel album, a world tour, and a livestream Q&A.
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Mellon Collie and the Infinite Sadness is the third studio album and first double album by the American alternative rock band the Smashing Pumpkins, released on October 23, 1995, in the United Kingdom and on October 24 in the United States by Virgin Records.
Oct 23, 2020 · All of this barely scratches the surface of everything the Smashing Pumpkins explore across the album, never repeating themselves and never letting anything get lost in the noise. After Mellon Collie and the Infinite Sadness, rock would experience a kind of burn out, unable to recover some of its notoriety until the turn of the millennium with ...
Oct 21, 2020 · Mellon Collie And The Infinite Sadness, released 25 years ago this week, didn’t just signal the end of the road for the Pumpkins’ classic line-up of Corgan, guitarist James Iha, bassist D’Arcy Wretsky and drummer Jimmy Chamberlin, it was the full-stop on what had been a purple patch for US rock albums.
Jan 8, 2013 · One can be forgiven for feeling a bit overwhelmed by the Smashing Pumpkins’ Mellon Collie and the Infinite Sadness. Released in 1995, it was a sprawling double-CD set with a nebulous conceptual underpinning, marked by extremes of existential angst and wistful romanticism set adrift in an ocean of squalling guitar furor and layers of gauzy six-string mesmerism.
Oct 18, 2020 · By Matt Neal. Posted Sun 18 Oct 2020 at 1:13am. The Smashing Pumpkins took alternative music to new heights on landmark double album Mellon Collie and the Infinite Sadness. (Supplied) abc.net.au ...
Oct 22, 2020 · Jonathan Weiner*. The Smashing Pumpkins have announced their plans to celebrate the 25th anniversary of Mellon Collie and the Infinite Sadness with a sequel album, a world tour, and a...
Dec 22, 2012 · Today, Mellon Collie and the Infinite Sadness doesn’t need rose-colored lenses for appreciation. The album’s success still lies from all the stylistic risks the band assumed, especially in comparison to music other alternative bands were creating at the time (back when “alternative” was still an actual genre).
