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May 31, 2018 · With no washed-up corpse, has he perhaps faked his death? By borrowing from Sirk, Ozon depicts Marie’s trauma in her surroundings: she’s haunted by her dead partner in the kitchen, at work, and in the eyes of a replacement boyfriend.
Sous le sable, by its very structure, deftly illustrates the phenomenon of separating the unknowable nature of Jean’s vanishing from the rest of the ilm even as it remains unavoidably intertwined with the story of Marie’s life in the city. Ozon, for instance, shot in 35 mm the ilm’s irst 20 minutes that recount the events at the beach ...
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Sep 19, 2019 · Both stories move forward: Marie’s trauma and the effects of being considered a liar, and the detectives’ path to discover the truth. ...
Suddenly, as Nector and Lulu pick up the pace of their love making, Lulu’s wig flies off her head, catching Nector off guard. He steps back and stares at Lulu for a moment with a bland expression. Nector tells Lulu that it was the letter that started the fire, not him, but Lulu doesn’t know anything about a letter.
In the opening scene of Netflix's new crime drama Unbelievable, a young woman sits glassy-eyed on the floor of her Washington apartment. Her hair is mussed. Her brows are furrowed. A comforter is ...
Told in the stilted vernacular of a naive teenage girl, the narrative feels detached from reality and somewhat surreal. Marie is traumatized by her childhood experience at the convent, which ties it thematically to much of the novel. Childhood traumas, including abandonment and pain, shape the characters as adults, usually in devastating ways.
On the hottest day in July of 1952, the reservation received an unexpected shipment of surplus butter. Nector suddenly found himself with 17 tons of melting butter and nowhere to store it. It had to be delivered quickly, but he would need air conditioning. Just then, Lulu drove by in her fancy custom car.
