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- Allen was also known as a sympathetic director for women, writing strong and well-defined characters for them. By the late 1970s he was widely regarded as one of the world’s most-accomplished filmmakers, but the unevenness of later films and allegations of sexual abuse tarnished his reputation.
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- Broadway Danny Rose – 100% According to Rotten Tomatoes, Broadway Danny Rose is Allen’s best film of all time. The film explores how complex human relationships are plus what the world of show business looks like.
- Love and Death – 100% Love and Death, which was released in 1975, marked another collaboration between Allen and Diane Keaton. The comedy film focuses on a Russian villager Boris Grushenko (Allen) who wants to be with his cousin Sonja (Keaton).
- Sleeper – 100% Sleeper was released in 1973 and it just turned 50 years in 2023. The science-fiction comedy introduces Miles Monroe (Allen), a health food store owner who went through a routine operation in 1973 but was cryogenically frozen back then.
- Annie Hall – 97% Many people would consider Annie Hall, released in 1977, to be Allen’s best film. The film follows Ally Singer (Allen), a neurotic character, a comedian who is reflecting on the times he spent with his ex-girlfriend singer Annie Hall (Diane Keaton).
- September (1987) Repressed love and hate threatens seemingly friendly relationships over a weekend of a family/friends group at a country house. The film that Allen remade from scratch, with another cast, had everything as chaos, but seen without unjust expectations can propose interesting reflections that magnify the result.
- Everyone Says I Love You (1996) The musical attempt is enchanting, with a brief and tender moment when the character of Allen yields to the inspiring power of fantasy as he sings the beloved jazz standard “I’m Thru With Love”.
- Celebrity (1998) An acidic critic who disrupts the falsehood of the high society lifestyle, the absurdity of projecting on the fragile fame industry the insecurity that the individual feels, with the script evoking the best works of Fellini.
- Small Time Crooks (2000) Ray (Allen) is a dishwasher who has a great plan: rent a shop next to the bank and use it as a front to build an underground tunnel to rob it.
- ANNIE HALL (1977) Written by Woody Allen and Marshall Brickman. Starring Woody Allen, Diane Keaton, Tony Roberts, Carol Kane, Paul Simon, Janet Margolin, Shelley Duvall, Christopher Walken, Colleen Dewhurst.
- HANNAH AND HER SISTERS (1986) Written by Woody Allen. Starring Woody Allen, Michael Caine, Mia Farrow, Carrie Fisher, Barbara Hershey, Lloyd Nolan, Maureen O’Sullivan, Daniel Stern, Max von Sydow, Dianne Wiest.
- MANHATTAN (1979) Written by Woody Allen and Marshall Brickman. Starring Woody Allen, Diane Keaton, Michael Murphy, Mariel Hemingway, Meryl Streep, Anne Byrne.
- CRIMES AND MISDEMEANORS (1989) Written by Woody Allen. Starring Caroline Aaron, Alan Alda, Woody Allen, Claire Bloom, Mia Farrow, Joanna Gleason, Anjelica Huston, Martin Landau, Jenny Nichols, Jerry Orbach, Sam Waterson.
Mar 18, 2020 · The film is the best directorial effort of Woody Allen’s career, one that mixes beautiful black and white shots to truly immersive effect. Manhattan is Allen’s most honest look at love and relationships, yet one that has always been problematic for its subject matter.
- Annie Hall (1977) Film. Comedy. Woody Allen famously wanted to call it Anhedonia, the clinical inability to experience happiness—funny for a film that gives us so much pleasure.
- Crimes and Misdemeanors (1989) Film. Comedy. The film in which Woody’s comic and serious sides most comfortably align, this one tells of two barely connected characters, an eye doctor (Martin Landau) and a filmmaker (Allen), each with intricately messy private lives.
- Hannah and Her Sisters (1986) Film. Here are Allen’s most exquisite performances: nuanced, perfectly balanced, lovably neurotic. There’s not a weak link in the cast, and while it’s a shame to single out an essential performance, it has to be Dianne Wiest’s unsettled Holly, the kind of desperate, flailing Manhattanite that future director-writers would spin entire careers out of.—
- Manhattan (1979) Film. Comedy. Greatest opening in cinema history? Gordon Willis’s glittering monochrome camerawork combines with Gershwin’s glorious glissandos and Woody’s scalpel-sharp self-mockery to create the ultimate hymn to a city, a sensation, a whole way of life.
Feb 21, 2018 · Is Woody Allen a great filmmaker? On what evidence might that conclusion rest? The accumulated body of critical opinion is helpful, partly because it shows that there has never been consensus.
May 9, 2019 · His best work has great visual prowess ( Manhattan) and/or incorporates a rigid formal structure ( Hannah and Her Sister with the titles). Allen’s greatest stretch (certainly from 1977-1989) have spectacular images (as you can see here).
