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  1. Far from Heaven. Far from Heaven is a 2002 historical romantic drama film written and directed by Todd Haynes, and starring Julianne Moore, Dennis Quaid, Dennis Haysbert, and Patricia Clarkson. It premiered at the Venice Film Festival, where Moore won the Volpi Cup for Best Actress, and cinematographer Edward Lachman won a prize for Outstanding ...

  2. Jan 10, 2003 · Far from Heaven: Directed by Todd Haynes. With Julianne Moore, Dennis Quaid, Dennis Haysbert, Patricia Clarkson. In 1950s Connecticut, a flustered housewife faces a marital crisis and mounting racial tensions in the outside world.

    • (49K)
    • Drama, Romance
    • Todd Haynes
    • 2003-01-10
  3. Nov 15, 2002 · Todd Haynes' "Far from Heaven" is like the best and bravest movie of 1957. Its themes, values and style faithfully reflect the social melodramas of the 1950s, but it's bolder, and says out loud what those films only hinted at. It begins with an ideal suburban Connecticut family, a husband and wife "team" so thoroughly absorbed into corporate culture they're known as "Mr. and Mrs. Magnatech ...

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  5. Jul 26, 2023 · Todd Haynes’ Far from Heaven, made in the spirit of Douglas Sirk’s searching melodramas of the 1950s, appeared in 2002, a not-particularly hopeful year in American politics, with the ...

  6. Summaries. In 1950s Connecticut, a flustered housewife faces a marital crisis and mounting racial tensions in the outside world. Cathy is the perfect 50s housewife, living the perfect 50s life: healthy kids, successful husband, social prominence. Then one night she stumbles in on her husband Frank, kissing another man, and her tidy world starts ...

  7. Nov 8, 2002 · ''Far From Heaven,'' which opens today in New York and Los Angeles, is both a movie about the 50's and a tribute to some of the great movies of the 50's, in particular the Technicolor melodramas ...

  8. Sep 18, 2018 · The title sequence for Todd Haynes’ 2002 film, Far From Heaven, mirrors that of Douglas Sirk’s 1955 melodrama All That Heaven Allows to such an extent that one might assume the film that follows is a faithful remake of Sirk’s original masterpiece. While not identical, the rhythms and imagery of both sequences feature obvious similarities.

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