The Working Girls
1974
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Group Marriage: Directed by Stephanie Rothman. With Victoria Vetri, Aimee Eccles, Solomon Sturges, Claudia Jennings. Chris is not getting along with boyfriend Sandor and has an affair with parole officer Dennis.
- (173)
- Comedy, Drama
- Stephanie Rothman
- 1973-03
Group Marriage (1972) A parole officer is picked up by a bickering couple after his car breaks down. In strange turn of events he ends up sleeping with the girl, but feels bad after the guy catches them, so to make up for it, he introduces him to his own girlfriend (former Playmate of the Year Victoria Vetri), who has "a great personality". The ...
Stephanie Rothman´s “Group Marriage” is an unrealistic yet sympathetic, good-natured, and charming portrayal of polyamory featuring a likeable group of characters (especially Aimee Eccles is adorable), a lighthearted counterculture attitude, and genuinely funny humor (always laughing with our characters and never at them).
- (226)
- Stephanie Rothman
Running time. 82 mins. Country. USA. Language. English. Group Marriage is a 1972 sex comedy film directed by Stephanie Rothman. [3] It was the first film she made for Dimension Pictures, a company in which she was a minor shareholder with her husband Charles Swartz along with Larry Woolner.
Directed and co-written by Roger Corman protégé Stephanie Rothman, Group Marriage is a remarkable bit of cinema. Ahead of its time in exploiting true feminism, it also championed gay marriage, had a male character that was the equivalent of a dumb blond, showed a whole pumpkin truck of nude male ass, and featured a non-stereotypical Asian and ...
Group Marriage -- at least on paper -- seems like an interesting vehicle for Rothman since she could explore a non-traditional relationship structure. At the fore of this film is a polyamorous group of six, half of which were Playboy models turned actresses: Victoria Vetri ( Invasion of The Bee Girls ), Claudia Jennings ( Truck Stop Women ...
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Jul 29, 2011 · THE MOVIE: Group Marriage is a '70s sexploitation flick, and as such, it shouldn't surprise you much to learn that it's not terribly good.But for a '70s sexploitation flick, it's decent--and what's more, a bit of knowledge about what was happening outside the frame makes what happens within it infinitely more interesting.
