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Graham John Clifton Bond (28 October 1937 – 8 May 1974) was an English rock/blues musician and vocalist, considered a founding father of the English rhythm and blues boom of the 1960s. Bond was an innovator, described as "an important, under-appreciated figure of early British R&B", [1] along with Cyril Davies and Alexis Korner .
May 7, 2024 · He was 36. It was a strange, messy end to a strange, unpredictable life. In his mid-60s prime, Graham Bond was a true originator and one of the key figures on the British music scene. As the driving force behind the Graham Bond Organization, he dragged trad jazz out of its fusty confines and made it jump with heavy doses of blues and wailing R&B.
May 16, 2019 · Graham Bond: mad, bad and dangerous to know. Posted on May 16, 2019. Graham Bond was one of the most important, most influential and thoroughly under-appreciated figures of early British R&B. Along with John Mayall and Alexis Korner, Graham Bond was one of the great catalytic figures of the British music and arguably more gifted than either but ...
There is no reason at all why you can't take the blues and put the technique of modern jazz on it." Graham John Clifton Bond (b. October 28, 1937, Romford, Essex; d. May 8, 1974, London, U.K.) was born a chronic asthmatic and, as a child, suffered constantly from his breathing impairment.
GRAHAM BOND. Graham Bond is one of the long-forgotten pioneers of the British Blues Boom of the early 60s that gave the world The Rolling Stones, Cream and hundreds of bands that incorporated the ‘Blues scale’ and ‘Blues sensibilities’ into mainstream music. Graham’s lack of hit records, his involvement with heavy drugs and The Occult ...
Oct 28, 2020 · Wednesday, October 28, 2020. 70s R&B Deep Dive. Graham Bond. Today we celebrate the birthday of the late, great Graham Bond, one of the founding figures of the British R&B movement of the 1960s and the man behind the aptly-named Graham Bond Organisation.
Jul 18, 2013 · Organist and saxophonist Graham Bond was the most important and influential musical pioneer to emerge from British jazz in the 1960s. High praise indeed, but in his case it is warranted. His legacy might be defined less by the music he recorded and more by the impact he had on subsequent generations of musicians.
