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Jean Jannon (died 20 December 1658) was a French Protestant printer, type designer, punchcutter and typefounder active in Sedan in the seventeenth century. He was a reasonably prolific printer by contemporary standards, printing several hundred books.
- Akzidenz-Grotesk
- Helvetica
- Bodoni
- Frutiger
- Times New Roman
- Baskerville
- Gill Sans
- Garamond
- Comic Sans
- Futura
Akzidenz-Grotesk is one of the the most influential of the early sans-serif typefaces. Released in 1898, it was designed by the Berthold Type Foundry and was based on another early sans-serif typeface, Royal Grotesk Light. It got a facelift in 1950s and '60s thanks to designer Günther Gerhard Lange, whose work made Akzidenz-Grotesk into a more usea...
In 1956, Eduard Hoffmann, manager of the Hass Type Foundry, commissioned Swiss typesetter Max Miedinger to design a new sans-serif typeface based on Akzidenz-Grotesk. The result, Haas-Grotesk, was released in 1957; it immediately became popular thanks to its sleek, neutral design. Three years later, the typeface was renamed Helvetica, after the Lat...
Typographer Giabattista Bodoni (1740–1813) had a killer resume: He was employed by a number of Italian dukes and was the court typographer for Charles III of Spain. Over the course of his career, Bodoni developed numerous typefaces and published a number of books detailing his meticulous designs. The serif Bodoni typeface, which is based on the typ...
It all began in 1968, when Swiss type designer Adrian Frutiger was asked to design a typeface for signage at Paris’s Charles de Gaulle airport. There was only one requirement, really—that the type be legible from a great distance—but meeting that requirement was tough. Finally, after years of development, Frutiger gave the airport Roissy. It was so...
Times New Roman was designed in 1929 by typographer Stanley Morison and drawn by advertising artist Victor Lardent after The Times of London was criticized for the illegibility of its print. Because the typeface was made for newspapers it is fairly narrow so that many words can be fit onto one line. When the typeface was released to the public the ...
Baskerville is a "transitional typeface"—a departure from traditional typefaces based on hand-written letters but not quite as modern as the strong, bold lines that followed after it. It was designed in 1757 by printer John Baskerville, who created it to use in the printing of classic works for Cambridge University Press. Benjamin Franklin was a gr...
Developed by British artist and typesetter Eric Gill in the 1920s, Gill Sans is a sans-serif typeface based on the work of Edward Johnston, whose 1916 Johnston Sans was used on London Underground signage. Gill first used his new typeface in 1926 on a bookshop’s sign in Bristol. Monotype advisor Stanley Morison noticed the potential of Gill’s type a...
Garamond is a classic, elegant old-style serif typeface that originated in the designs of French punch-cutter Claude Garamond (1480–1561). Garamond’s designs were further embellished in the 17th century by French typographer Jean Jannon. Garamond has been modified and refined over the years, but the family of typefaces can still be said to be based...
This world's most-maligned typeface was designed by Vincent Connare in 1994, when he was an employee at Microsoft, to mimic the kind of type seen in comic book talk bubbles (and in fact its original name was Comic Book; the sans comes from sans serif). Connare was working with a team creating software for PCs when he opened a program called Microso...
This geometric sans-serif type was developed between 1924 and 1926 by German designer Paul Renner. Released in 1927, it was inspired by the modernist Bauhaus school of design, which believed in dispensing with unnecessary clutter and ornamentation. As if to secure its reputation as a thoroughly modern typeface, Futura was chosen for the commemorati...
Jean Jannon (1580-1628) Jean Jannon, a printer at the Calvinist (Protestant) Academy in Sedan, began working on his own alphabet in 1615 to avoid the need to order type from Paris, Holland or Germany.
His style of type design moved even further from the style of calligraphy and his type designs were further developed by Jean Jannon who produced a set of roman and italics which were mistakenly attributed as Garamond's all the way into the 20th century because of their resemblance.
Jan 19, 2021 · The fonts of Jean Jannon, a.k.a. the would-be Garamond, were underrated by twentieth-century typographers. Type designers, too, had a curious love-hate relationship with Jannon, whose legacy they viewed as a kind of fraud because of the long-standing misattribution of his work to Garamond .
About. The engraver Jean Jannon ranks among the significant representatives of French typography of the first half of the 17th century. He was born in 1580, apparently in Switzerland. He trained as punch-cutter in Paris.
Sep 9, 2011 · The type of similar appearance, cut by Jean Jannon about 1621, became the property of the Imprimerie Nationale, achieving worldwide attention about 1900 under the name of caractères de l’Université. This latter type was mistakenly attributed to Claude Garamond.
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