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- At the beginning of the sixteenth century, instruments were considered to be less important than voices. They were used for dances and to accompany vocal music. Instrumental music remained subordinated to vocal music, and much of its repertory was in varying ways derived from or dependent on vocal models.
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Only two groups of instruments could play freely in both types of ensembles: the cornett and sackbut, and the tabor and tambourine. At the beginning of the sixteenth century, instruments were considered to be less important than voices. They were used for dances and to accompany vocal music.
Nov 21, 2023 · Prior to this time, vocal music was far more important, and instruments were used as an accompaniment, rather than as a main focus. But, near the end of the period, instrumental music was at...
- Renaissance music is most known for its use of polyphony (two independent melody lines performing simultaneously) and the growing complexity and gr...
- Many types of instruments were used during the Renaissance Era. Two of the most commonly used instruments were the viola da gamba and the lute. The...
- Renaissance Era instrumental music set an atmosphere of innovation and inspiration for later style periods, like the Baroque era. Polyphony (two in...
Instrumental music in the early 16th-century Mass: new evidence It is generally accepted among musicologists that, with the exception of the organ, no instruments participated in the music of the Catholic Mass during the early 16th century.1 This assumption, which has come to be held with increasing conviction in the last
May 25, 2017 · The central achievement of this book is to present instrumental music-making, in all its diversity and messy semi-improvised glory, as the jewel in the crown of Renaissance culture and musical experience, and not just a pale reflection of the Golden Age of polyphony.
- Jon Banks
- 2017
- Instrumental Performance
- Written Sources
- Fantastic Forms
- Musical Terms
Written music from the Renaissance suggests that the instrumental repertory—that is, the types of music performed on instruments—remained much the same throughout the period. Improvisation and embellishment seem to have played a large role in the art of playing an instrument. Improvisation means making up tunes or parts of tunes on the spur of the ...
Musical historians have gained most of their knowledge about Renaissance instrumental music from written sources. Sheet music of the period appears in several different types of notation, or tablature. The system of tablature in a piece of written music often indicates what instruments were used to play it. Keyboard Tablature.The earliest known mus...
The word fantasia is a general term referring to a type of abstract instrumental piece, similar in form to the motet. Composers used several more specific words for different types of fantasias. The canzona, for example, was similar in style to the French chanson, or song. The ricercar, from an Italian word meaning "to seek again," repeated a theme...
descant
1. —high harmony line
embellishment
1. —adding flourishes to a melody
fantasia
1. —abstract instrumental piece
A late 16th-century innovation in both Italy and England was the ayre (air), a simple chordal setting especially suitable for a solo voice with a lute or a consort of instruments playing the other parts.
many of the best 15th- and early 16th-century compositions-at least most of the polyphony set to Latin words-were probably performed more often then by voices alone than by voices and instruments or by instruments alone. In short, music for unaccompanied voices forms the central repertory of sacred music in the Renaissance. That statement is
