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Nov 2, 2018 · Watching her chores in real time becomes a feat of mimetic endurance. Two hundred and one minutes long, Akerman’s domestic epic is not as extreme as Andy Warhol’s previous durational...
Dec 12, 2022 · And if the kind of pettiness about cinema seems above a figure like Chantal Akerman I would suggest you watch her films in wondrous real-time and get back to me.
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A singular work in film history, Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles meticulously details, with a sense of impending doom, the daily routine of a middle-aged widow, whose chores include making the beds, cooking dinner for her son, and turning the occasional trick. In its enormous spareness, Akerman’s film ...
Aug 17, 2009 · Akerman’s real-time, matter-of-fact presentation of a woman’s everyday seemed to mock the timidity of the neorealist demand for “a ninety-minute film showing the life of a man to whom nothing happens.”
When we experience ritual and seemingly simple tasks of work around the house or chores, in real time, the underlying problem is revealed. There is obsession, a mechanical way about doing the same thing over and over, which also goes over into Jeanne's casual afternoon prostitution gigs.
Jan 30, 2015 · Jeanne Dielman removes almost all cinematic artifice to explore day-to-day existence, often in real time. Long silences are only rarely punctuated by conversation.
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Dec 5, 2022 · December 5, 2022. Delphine Seyrig is onscreen nearly every minute of the film, usually performing some mundane task in real time: washing dishes, making a bed, peeling potatoes. Photograph from...