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  1. Albert Bigelow Paine, who had sole possession of Twain's unfinished works after Twain's death and kept them private, claimed that he had searched through Twain's manuscripts and had found the proper intended ending for The Mysterious Stranger. After Paine's death in 1937, Bernard DeVoto became the possessor of Twain's manuscripts and released ...

    • Mark Twain
    • 1916
  2. The editors of this first version, which is now referred to as the "Paine-Duneka text," were Albert Bigelow Paine and Frederick A. Duneka of Harper & Brothers publishing company. Paine and Duneka created this illegitimate text by grafting the ending of one story ("No. 44, The Mysterious Stranger") onto the body of another story Twain had left ...

  3. Six, years after Mark Twain's death, Albert Bigelow Paine, the author's literary executor, brought out a bowdlerized edition of The Mysterious Stranger, silently cut and cobbled from three unfinished manuscripts. This volume presents those manuscripts for the first time, exactly as mark Twain wrote them.

  4. Name. Paine, Albert Bigelow (1861–1937) Short Biography. Paine grew up in Iowa and Illinois, leaving school at fifteen. At twenty he went to St. Louis, where he worked as a photographer; several years later he operated a photographic supply business in Kansas. After one of his stories was accepted by Harper’s Weekly, he moved to New York in ...

  5. Six, years after Mark Twain's death, Albert Bigelow Paine, the author's literary executor, brought out a bowdlerized edition of The Mysterious Stranger, silently cut and cobbled from three unfinished manuscripts.

  6. Mar 29, 2024 · Six, years after Mark Twain's death, Albert Bigelow Paine, the author's literary executor, brought out a bowdlerized edition of The Mysterious Stranger, silently cut and cobbled from three unfinished manuscripts. This volume presents those manuscripts for the first time, exactly as mark Twain wrote them.

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  8. every change made by Paine; and to represent generously, if not in toto, Twain's own cancellations and changes in the three manuscripts. What the moral problem was for Albert Bigelow Paine and F. A. Duneka, from our point of view, fifty years after they created a finished story from two un-finished manuscripts, is decidedly less clear.

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