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- Amy Seimetz wrote a show about the ways in which men try to possess women. She talks to GQ about the show's very different second season and its relevance to the Harvey Weinstein moment. By Kevin Lincoln Photography by Emilia Paré November 6, 2017
www.gq.com › story › amy-seimetz-the-girlfriend-experience-interview
Nov 6, 2017 · Culture. The Girlfriend Experience 's Amy Seimetz Wants Her Characters to Be Unapologetic. Amy Seimetz wrote a show about the ways in which men try to possess women. She talks to GQ about the...
- Atlanta
Atlanta is a very good show for big, bold reasons—but one of...
- Alien: Covenant
Scott: Seimetz is a tremendous talent.So is Waterston! But...
- Atlanta
Apr 14, 2016 · The question seems to be causing reviewers, especially the men among them, fits—not least because one of the show’s two writer-directors, Amy Seimetz, is a woman.
Jan 26, 2016 · Soderbergh serves as executive producer on the show, which has been worked into an anthology series by filmmakers Amy Seimetz and Lodge Kerrigan, who are credited with co-writing all of the first ...
Amy Seimetz on Sexual Agency and Harassment. Seimetz's series -- which she writes, directs, acts in, and co-created -- tackles ideas of consent and sexual agency during a watershed moment in ...
Apr 8, 2016 · The Girlfriend Experience, premiering this weekend on Starz, looks to remedy things by presenting a three dimensional look at the life of a high end call girl in Manhattan, adapted from Steven Soderberg’s 2009 drama. Executive producer Soderbergh hired Amy Seimetz to co-write, co-direct, and serve as an executive producer on the series.
Nov 6, 2017 · The Girlfriend Experience. We spoke to Seimetz about achieving a “live wire” atmosphere on set. Throughout her career, Amy Seimetz has displayed a consistent emotional intelligence, showing how characters are eaten up by obsessions that are informed by their habitats. Last summer, the writer, director, and actress casually stole Alien ...
Jun 20, 2016 · Amy Seimetz: In traditional television you have the writers’ room, and then there’s a revolving door of directors and each of them has to have tone meetings in order to direct their episode ...
