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      • Whaam! by Roy Lichtenstein was inspired by the DC Comics’ story titled Star Jockey, which was in issue number 89 from the series titled All American Men of War (1962). The image that Lichtenstein reproduced was initially done by the artist Irv Novick.
      artincontext.org › whaam-by-roy-lichtenstein
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  2. en.wikipedia.org › wiki › Whaam!Whaam! - Wikipedia

    Lichtenstein adapted the image from several comic-book panels, with the primary source being a panel illustrated by Irv Novick from a 1962 war comic book. Lichtenstein transformed the source by presenting it as a diptych while altering the relationship of the graphical and narrative elements.

  3. Oct 15, 2012 · Roy Lichtenstein did it with dots. Inventing pop art, comic-book frames were his starting point — but he wasn't making exact reproductions. "He's always making these alterations," Cooper says.

    • Susan Stamberg
  4. Oct 25, 2023 · Whaam! by Roy Lichtenstein was inspired by the DC Comics’ story titled Star Jockey, which was in issue number 89 from the series titled All American Men of War (1962). The image that Lichtenstein reproduced was initially done by the artist Irv Novick.

    • Alicia du Plessis
    • Roy Fox Lichtenstein (1923-1997)
    • ( Author And Art History Expert )
    • 1963
  5. May 9, 2012 · Very early on, he hit on his comic book subject matter, and this gave his art a look it never lost – an enlarged, precise graphic style that incongruously translates efficient designs created...

  6. Sep 1, 2020 · Whaam! (1963) is a two-canvas painting based on an image from the comic book strip All-American Men of War, published by DC Comics in February 1962. The left canvas depicts an American fighter plane firing a missile that hits an approaching enemy plane seen on the right canvas.

  7. cartoon / comic strip (177) objects (23,571) weapons (925) ... Drawing for ‘Whaam!’ Roy Lichtenstein. 1963. Wall Explosion II Roy Lichtenstein. 1965. Interior ...

  8. Roy Lichtenstein's serious comic-inspired canvas Whaam! disrupted the art world in the mid-1960s, delivering an enigmatic salvo at both the conventions of artistic expression and the post-war representation of conflict.

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