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      • Ludwig van Beethoven made significant contributions to the development of classical music in the 19th century. He was a transitional figure between the classical and romantic periods, pioneering new musical techniques and expanding the possibilities of orchestral composition.
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  2. Ludwig van Beethoven, the composer who, more than any other, changed music, the sound of music and what it is that composers do, wrote nine symphonies that jolted music out of itself. Life could never – would never – be the same again.

  3. Oct 22, 2023 · From his early days as a child prodigy in Bonn to his challenging journey through hearing loss and personal strife, this article explores how Beethoven turned the classical music world on...

    • Overview
    • Beethoven’s achievement
    • Three periods of work

    Beethoven’s greatest achievement was to raise instrumental music, hitherto considered inferior to vocal, to the highest plane of art. During the 18th century, music, being fundamentally nonimitative, was ranked below literature and painting. Its highest manifestations were held to be those in which it served a text—that is, cantata, opera, and oratorio—the sonata and the suite being relegated to a lower sphere. A number of factors combined to bring about a gradual change of outlook: the instrumental prowess of the Mannheim Orchestra, which made possible the development of the symphony; the reaction on the part of writers against pure rationalism in favour of feeling; and the works of Haydn and Mozart. But, above all, it was the example of Beethoven that made possible the late-Romantic dictum of the English essayist and critic Walter Pater: “All arts aspire to the condition of music.”

    After Beethoven it was no longer possible to speak of music merely as “the art of pleasing sounds.” His instrumental works combine a forceful intensity of feeling with a hitherto unimagined perfection of design. He carried to a further point of development than his predecessors all the inherited forms of music (with the exception of opera and song), but particularly the symphony and the quartet. In this he was the heir of Haydn rather than of Mozart, whose most striking achievements lie more in opera and concerto.

    Beethoven’s greatest achievement was to raise instrumental music, hitherto considered inferior to vocal, to the highest plane of art. During the 18th century, music, being fundamentally nonimitative, was ranked below literature and painting. Its highest manifestations were held to be those in which it served a text—that is, cantata, opera, and oratorio—the sonata and the suite being relegated to a lower sphere. A number of factors combined to bring about a gradual change of outlook: the instrumental prowess of the Mannheim Orchestra, which made possible the development of the symphony; the reaction on the part of writers against pure rationalism in favour of feeling; and the works of Haydn and Mozart. But, above all, it was the example of Beethoven that made possible the late-Romantic dictum of the English essayist and critic Walter Pater: “All arts aspire to the condition of music.”

    After Beethoven it was no longer possible to speak of music merely as “the art of pleasing sounds.” His instrumental works combine a forceful intensity of feeling with a hitherto unimagined perfection of design. He carried to a further point of development than his predecessors all the inherited forms of music (with the exception of opera and song), but particularly the symphony and the quartet. In this he was the heir of Haydn rather than of Mozart, whose most striking achievements lie more in opera and concerto.

    It was his biographer Wilhelm von Lenz who first divided Beethoven’s output into three periods, omitting the years of his apprenticeship in Bonn. The first period begins with the completion of the Three Trios for Piano, Violin, and Cello, Opus 1, in 1794, and ends about 1800, the year of the first public performance of the First Symphony and the Se...

  4. Beethoven’s musical style and influence are profound and far-reaching, shaping the course of Western classical music and influencing generations of composers and musicians. Beethoven’s musical style evolved significantly over the course of his career, spanning the transition from the Classical to the Romantic era.

  5. Ludwig van Beethoven - Classical Composer, German, Maestro: Like other composers of his generation, Beethoven was subject to the influence of popular music and of folk music, influences particularly strong in the Waldstein ballet music of 1790 and in several of his early songs and unison choruses.

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