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- By using James M. Cain’s 1943 novella of the same name as the foundation of their story, Wilder and extraordinary novelist-turned-screenwriter Raymond Chandler wrote a mesmerizing script that introduced one of the most memorable cinematic trios to the audience.
cinephiliabeyond.org › double-indemnity-mesmerizing-film-noir-conceived-troubled-relationship-two-greats‘Double Indemnity’: A Mesmerizing Film Noir Conceived Out of ...
Double Indemnity began making the rounds in Hollywood shortly after it was serialized in Liberty magazine in 1936. MGM , Warner Bros. , Paramount , 20th Century-Fox , and Columbia were competing to buy the rights for $25,000.
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- IT WAS INSPIRED BY A REAL MURDER. Before he began making serious headway as a writer of fiction, Double Indemnity author James M. Cain worked as a journalist in New York, and it was there that he stumbled upon the real-life murder case of Albert Snyder, who was killed in 1927 by his wife, Ruth Brown Snyder, and her lover, a corset salesman named Henry Judd Gray.
- IT FOUGHT THE PRODUCTION CODE FOR YEARS. Double Indemnity was first placed before the Production Code Administration in Hollywood in 1935, the year before it was serialized in Liberty, and the story was immediately met with resistance from PCA head Joseph I. Breen, who noted that a film version would likely be rejected according to the code.
- BILLY WILDER’S WRITING PARTNER AT THE TIME TURNED IT DOWN. It was producer Joseph Sistrom who first brought Double Indemnity to Wilder, believing the filmmaker would respond well to Cain’s hard-boiled story of deception and seduction.
- WILDER AND RAYMOND CHANDLER HATED WORKING TOGETHER. Wilder agreed to work with Chandler after reading some of his prose and finding the future author of The Long Goodbye had a knack for clever lines of dialogue and description.
Billy Wilder's Double Indemnity was made in 1944 and in the last seventy years it has stood on the pedestal as one of the best examples of what the film noir genre has to offer. By using James M. Cain’s 1943 novella of the same name as the foundation of their story, Wilder and extraordinary.
Double Indemnity seems to be sculpted by light (and absence of light), anchoring the movie within the film noir tradition. The credits and the opening sequence of the film set the general tone and are representative of the film’s whole aesthetic.
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- IT WAS INSPIRED BY A REAL MURDER. Before he began making serious headway as a writer of fiction, “Double Indemnity” author James M. Cain worked as a journalist in New York, and it was there that he stumbled upon the real-life murder case of Albert Snyder, who was killed in 1927 by his wife, Ruth Brown Snyder, and her lover, a corset salesman named Henry Judd Gray.
- IT FOUGHT THE PRODUCTION CODE FOR YEARS. “Double Indemnity” was first placed before the Production Code Administration in Hollywood in 1935, the year before it was serialized in Liberty, and the story was immediately met with resistance from PCA head Joseph I. Breen, who noted that a film version would likely be rejected according to the code.
- BILLY WILDER’S WRITING PARTNER AT THE TIME TURNED IT DOWN. It was producer Joseph Sistrom who first brought “Double Indemnity” to Wilder, believing the filmmaker would respond well to Cain’s hard-boiled story of deception and seduction.
- WILDER AND RAYMOND CHANDLER HATED WORKING TOGETHER. Wilder agreed to work with Chandler after reading some of his prose and finding he had a knack for clever lines of dialogue and description.
Double Indemnity, American film noir, released in 1944, that was considered the quintessential movie of its genre. It followed the time-honoured noir plotline of a man undone by an evil woman. (Read Martin Scorsese’s Britannica essay on film preservation.) The film was adapted by director Billy.
Dec 20, 1998 · The puzzle of Billy Wilder's "Double Indemnity,” the enigma that keeps it new, is what these two people really think of one another. They strut through the routine of a noir murder plot, with the tough talk and the cold sex play.
