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- Caravaggio’s Shadow explores much the same details as Jarman’s film, but here Placido and his co-writers employ a non-linear narrative structure that jumps back and forth in time, which makes for a muddled film that may confuse those in the audience who are unfamiliar with the famous artist and his life and work.
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Caravaggio’s Shadow explores much the same details as Jarman’s film, but here Placido and his co-writers employ a non-linear narrative structure that jumps back and forth in time, which makes for a muddled film that may confuse those in the audience who are unfamiliar with the famous artist and his life and work.
Nov 9, 2023 · Caravaggio’s Shadow explores much the same details as Jarman’s film, but here Placido and his co-writers employ a non-linear narrative structure that jumps back and forth in time, which makes for a muddled film that may confuse those in the audience who are unfamiliar with the famous artist and his life and work.
Nov 10, 2023 · Jim Burke. Sumptuously capturing his famous chiaroscuro effects, Caravaggio’s Shadow is a frank, often brutal portrait smothered in a patina of good taste.
In 1610 in Italy, Michelangelo Merisi, better known as Caravaggio, is considered a brilliant artist. He opposes church dogma, which dictates how religious subjects should be depicted in art. When Pope Paul V learns that Caravaggio uses prostitutes, thieves and vagabonds as models for his paintings, he orders an investigation into the artist by ...
Nov 3, 2022 · Caravaggio's Shadow: Directed by Michele Placido. With Riccardo Scamarcio, Louis Garrel, Isabelle Huppert, Micaela Ramazzotti. The Catholic Church secretly investigates Caravaggio as the Pope weighs whether to grant him clemency for killing a rival.
- (1.4K)
- Biography, Drama, History
- Michele Placido
- 2022-11-03
Oct 20, 2022 · One of the film’s strengths is its demonstration of how aspects of reality entered into the painter’s works, how thieves, vagabonds and harlots appeared on the artist’s canvasses, as if on stage, transformed into eternal works of art.
Placido’s film is like a Caravaggio canvas: each scene is a violent contrast between light and shade, often taking our breath away. Visceral, extreme, beautiful, disturbing, genial, blasphemous, sacred, moving: these are just some of the words commonly used to describe Caravaggio’s art.
