Yahoo Web Search

Search results

  1. The story of Clint's character, Red Stovall, is loosely based on the life of Jimmie Rodgers . Plot. Itinerant western singer Red Stovall suffers from tuberculosis but has been given an opportunity to make it big at the Grand Ole Opry in Nashville, Tennessee. He is accompanied by his young nephew Whit.

  2. Sep 1, 2023 · While Honky-Tonk Man is not based on a specific true story, it draws inspiration from the real-life experiences of many musicians during that period. The song reflects the allure and dangers associated with the honky-tonk lifestyle.

  3. Dec 15, 1982 · Honkytonk Man: Directed by Clint Eastwood. With Clint Eastwood, Kyle Eastwood, John McIntire, Alexa Kenin. A boy with a music talent goes on a journey with his uncle for a stage concert.

    • (9.5K)
    • Comedy, Drama, Music
    • Clint Eastwood
    • 1982-12-15
  4. Powered by JustWatch. Clint Eastwood produced and directed "Honkytonk Man," and stars in it as a Depression-era loser who drifts through the South with his young nephew, aiming eventually to get to Nashville and maybe get on the Grand Ol' Opry. The movie's credits say the screenplay is by Clancy Carlile, based on his own novel, but in ...

  5. facebook. twitter. Description by Wikipedia. Honkytonk Man is a 1982 American musical drama film set in the Great Depression. Clint Eastwood, who produced and directed, stars with his son, Kyle Eastwood. Clancy Carlile's screenplay is based on his novel of the same name. This was Marty Robbins' last appearance before he died.

  6. Honkytonk Man is a 1982 American musical western comedy-drama film set in the Great Depression. Clint Eastwood, who produced and directed, stars with his son, Kyle Eastwood. Clancy Carlile's screenplay is based on his 1980 novel of the same name. This was Marty Robbins' last appearance before he died.

  7. People also ask

  8. Sep 2, 2003 · Clint Eastwood’s dust bowl drama Honkytonk Man is a sensitive road picture about a mostly luckless aspiring country music singer. It was also one of the earlier films directed by Eastwood to reveal the unmistakable disparity between the silent assassin persona audiences had come to embrace in him and the much gentler humanist behind the camera. Anchored by an unforced if slightly episodic ...