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  1. Last Embrace
    R1979 · Thriller · 1h 43m

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  1. May 4, 1979 · Last Embrace: Directed by Jonathan Demme. With Roy Scheider, Janet Margolin, John Glover, Sam Levene. Harry breaks down and loses his job after his wife is assassinated - could it be his turn next ?

    • (3.4K)
    • Mystery, Romance, Thriller
    • Jonathan Demme
    • 1979-05-04
  2. The story is far from tight, and leaves plenty of loose ends dangling uncomfortably. Once you witness the highly unlikely tub scene, you will better understand the lack of logic in this film. Everything about "Last Embrace" is disjointed, confusing, and really never comes together as entertainment. - MERK.

  3. en.wikipedia.org › wiki › Last_EmbraceLast Embrace - Wikipedia

    Last Embrace is a 1979 American neo-noir thriller film directed by Jonathan Demme. Very loosely based on the novel The 13th Man by Murray Teigh Bloom, it stars Roy Scheider and Janet Margolin, telling the story of a woman who takes a role similar to the biblical avenger Goel and kills the descendants of the Zwi Migdal, who enslaved her grandmother.

  4. Sep 10, 2012 · Scheider is admirably haunted as the justifiably paranoid gunman (who gets involved with a strange, duplicitous femme fatale), the whole thing is beautifully shot by Tak Fujimoto, and Miklós ...

  5. Last Embrace is a 1979 American neo-noir[2] thriller film directed by Jonathan Demme.[3] Very loosely based on the novel The 13th Man by Murray Teigh Bloom, it stars Roy Scheider and Janet Margolin, telling the story of a woman who takes a role similar to the biblical avenger Goel and kills the descendants of the Zwi Migdal, who enslaved her grandmother. In a Mexican cantina across the border ...

  6. May 4, 1979 · The Game Is Deadly. LAST EMBRACE, directed by Jonathan Demme; screenplay by David Shaber, based on the novel "The 13th Man" by Murray Teigh Bloom; director of photography, Tak Fujimoto; edited by ...

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  8. LAST EMBRACE is a political fever dream comprised of cross dissolved shoot outs, quick dollies, centered close ups, handheld follows, God’s Eye POV, and Roy Scheider looking fine in a cream suit. All the Hitchcockian plot pieces are basically just a loose foundation for Demme to fasten a whole lot of style and technique onto, which feels ...

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