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  1. Last Embrace
    R1979 · Thriller · 1h 43m

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  2. "Last Embrace" is easily one of the best thrillers of the 1970's 80's 90's or of any other decade of great movie thrillers that you can think of and undoubtedly one of the ten best of all times. The film has so many memorable scenes in it that it's hard to pick which one was the best.

  3. en.wikipedia.org › wiki › Last_EmbraceLast Embrace - Wikipedia

    Last Embrace is a 1979 American neo-noir thriller film directed by Jonathan Demme. Very loosely based on the novel The 13th Man by Murray Teigh Bloom, it stars Roy Scheider and Janet Margolin, telling the story of a woman who takes a role similar to the biblical avenger Goel and kills the descendants of the Zwi Migdal, who enslaved her grandmother

  4. Last Embrace benefits from a strong cast led by the ever-likable Roy Scheider, but its increasingly implausible story makes it difficult to hold on. Read Critics Reviews. TOP CRITIC. Sep 24,...

    • (24)
    • Jonathan Demme
    • R
    • Roy Scheider
    • Is last embrace a good movie?1
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    • Is last embrace a good movie?3
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    • Is last embrace a good movie?5
  5. May 4, 1979 · As the young woman who befriends Harry Hannan, Janet Margolin is unexpectedly fine, but it's the sort of role that offers a good deal more than is originally promised.The supporting cast is made...

  6. May 4, 1979 · Last Embrace: Directed by Jonathan Demme. With Roy Scheider, Janet Margolin, John Glover, Sam Levene. Harry breaks down and loses his job after his wife is assassinated - could it be his turn next ?

    • (3.3K)
    • Mystery, Romance, Thriller
    • Jonathan Demme
    • 1979-05-04
  7. Sep 10, 2012 · Last Embrace 1979, directed by Jonathan Demme | Film review. Film. Time Out says. A delicious excursion into the world of Hitchcockian suspense.

  8. Last Embrace, directed by Jonathan Demme, positions itself as a clear homage to the suspenseful mastery of Alfred Hitchcock from the very beginning, an aspect that sets a high bar for its unfolding narrative. This thriller, embodying a blend of paranoia, redemption and the search for identity, mirrors the thematic depth and stylistic flourishes ...

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