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Dec 31, 2021 · This paper describes the post-reform Indonesian film industry as one of the creative industry sub-sector. The creative industry has contributed to developing a city and a country...
This paper describes the post-reform Indonesian film industry as one of the creative industry sub-sector. The creative industry has contributed to developing a city and a country...
This paper describes the post-reform Indonesian film industry as one of the creative industry sub-sector. The creative industry has contributed to developing a city and a country to increase the market and the global economy.
The creative economy has 17 sub-sectors: architecture; interior design; visual communication; product design; film, animation, and video; photography; game; crafts; culinary arts; music; fashion; application; publishing; advertising; television and radio; performing arts; and fine arts.
- The Birth of Modern Indonesian Cinema
- Social Critique in The New Order
- Post-Reform Era: International Recognition and The Rise of Women Filmmakers
- Preserving ‘Critical National Cinema’
Within months of the international recognitionof Indonesia as an independent nation at the end of 1949, Perfini – a company formed months after the creation of the new nation – was addressing issues raised during the struggle for independence. The company was headed by Usmar Ismail. He is regarded as a key pioneer of Indonesian filmin the early ind...
Between 1970 and 1988, average production of Indonesian features rose to 70 per year, partly due to the introduction of wide screen and colour. In the 1970s new directors, such as Moscow-trained Sjuman Djaya, emerged. Another was Teguh Karya, who, working with his Teater Populergroup, made 13 films between 1970 and 1988. These included the cultural...
Talented young women who had studied at the Jakarta Institute of the Arts – such as Nan Achnas and Mira Lesmana – played an important role in achieving a breakthrough for women into the film industry. Other major women writer-directors include Nia Dinata, Mouly Surya, Djenar Maesa Ayu and Kamila Andini. Nia Dinata directed some very innovative film...
The early films of the Perfini company are often seen as providing a foundation for a “national cinema”. However, these films are also a form of “critical national cinema”, which highlight and engage with negative aspects of the new nation. Their themes included human rights abuses by freedom fighters, corruption in the army, and the dangers of cha...
- David Hanan
Indonesia’s creative economy comprises 16 sub-sectors, including: apps and game development; architecture; interior design; fashion; product design; visual communication design; movies, animation, and video; photography; crafts;
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Aug 20, 2018 · The growth of screen adaptation titles, along with the increased media adaptation practices, is a very relevant context in which we observe the connections among various sub-sectors in the creative industry, especially between the film and publishing sub-sectors.
