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- “The Woman King” premieres September 16 in US theaters. It’s rated PG-13. “The Woman King” is inspired by 19th-century female warriors in an African kingdom and creates a rousing action vehicle, augmented by plenty of melodrama.
www.cnn.com › 2022/09/15 › entertainment
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Sep 10, 2022 · The Woman King begins as portraiture and then surrenders to melodrama when faced with the challenges of translating history for the screen and constructing a coherent geopolitical thread. – Lovia Gyarkye, Hollywood Reporter. The Woman King is an 8/10 for entertainment value
All in all, The Woman King is an exciting, action-packed, history-based melodrama with a new and unusual setting, gorgeous look and sound, and dynamic performances – but with occasional jarring flaws in the script. Newly released to cinemas, it is offered in IMAX at some locations, and it’s a film that would benefit from that kind of ...
Sep 15, 2022 · CNN — Although “inspired by true events,” “The Woman King” clearly isn’t tethered to them, using the underlying story of 19th-century female warriors in an African kingdom as the jumping-off...
Sep 9, 2022 · The Woman King begins as portraiture and then surrenders to melodrama when faced with the challenges of translating history for the screen and constructing a coherent geopolitical thread.
Sep 16, 2022 · The Woman King is confident of its indulgences—a few moments of melodrama, a natural but questionable romance subplot—because it earns them. It invests in its characters so that each new ...
Sep 15, 2022 · Certainly, if the writing were more nuanced and less bogged down by contemporary ideas about women’s roles — at one point, the movie shifts into a trauma-driven maternal melodrama — Davis ...
The Woman King is a 2022 American historical action-adventure film about the Agojie, the all-female warrior unit that protected the West African kingdom of Dahomey during the 17th to 19th centuries. Set in the 1820s, the film stars Viola Davis as a general who trains the next generation of warriors to fight their enemies.
