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- A vampire's eye color is indicative of their diet, namely regarding the intake of blood. In the case of the Cullen family, including male protagonist Edward Cullen, their eyes are yellow or honey-golden. This represents the fact that they feed only on the blood of animals and not humans.
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Nov 9, 2023 · In this article, we’ll explore what eye colors vampires can have, what different hues signify, how their eyes relate to vampire powers, and how eyes have historically been used in vampire tales. We have a lot to sink our teeth into, so let’s get started!
- Bat. Bats and vampires have been linked historically since they both share an affinity for nighttime activities. European tales often associated bats with vampires because of their night-time presence and the fact that some bats, like the vampire bat from the Americas, drink blood.
- Coffin. Coffins are closely tied to vampire stories. It was believed that vampires hid in coffins during the day to avoid the harmful sunlight which shows that they’re somewhere between alive and dead.
- Fangs. Fangs are one of the most well-known features of vampires. They highlight a vampire’s strong desire for blood and they aren’t just for eating; they show that vampires are natural hunters.
- Blood Droplets. Blood droplets are closely linked to vampire stories as vampires need blood for strength and survival. The sight of these droplets shows their need to feed and their hunter nature.
- Overview
- Characteristics
- History
In popular legend, a vampire is a creature, often fanged, that preys upon humans, generally by consuming their blood. Vampires have been featured in folklore and fiction of various cultures for hundreds of years, predominantly in Europe, although belief in them has waned in modern times.
How are vampires commonly depicted?
A characteristic central to the vampire myth is the consumption of human blood or other essence (such as bodily fluids or psychic energy). Vampires are also depicted as possessing sharp teeth or fangs with which to facilitate this task. In most depictions vampires are “undead”—that is to say, having been somehow revived after death.
How did the legend of vampires originate?
Creatures with vampiric characteristics have appeared at least as far back as ancient Greece, where stories were told of creatures that attacked people in their sleep and drained their bodily fluids. Tales of walking corpses that drank the blood of the living and spread plague flourished in medieval Europe in times of disease.
Why is it believed that vampires hate garlic?
Because there is a long history of walking corpses and bloodsucking ghouls in folklore, it is difficult to pin down a distinct set of characteristics consistently attributed only to vampires. Central to vampire myth, however, is the consumption of human blood or other essence (such as bodily fluids or psychic energy), followed closely by the possession of sharp teeth or fangs with which to facilitate this task. In most depictions, vampires are “undead”—that is to say, having been somehow revived after death—and many are said to rise nightly from their graves or coffins, often necessarily containing their native soil. Vampires are typically said to be of pale skin and range in appearance from grotesque to preternaturally beautiful, depending on the tale. Another frequently cited physical characteristic is the inability to cast a reflection or shadow, which often translates into an inability to be photographed or recorded on film.
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A person may become a vampire in a variety of ways, the most common of which is to be bitten by a vampire. Other methods include sorcery, committing suicide, contagion, or having a cat jump over a person’s corpse. Some people believed that babies born with teeth or on Christmas or between Christmas and Epiphany were predisposed to becoming vampires. While vampires usually do not die of disease or other normal human afflictions, and they are indeed often said to have faster-than-normal healing capabilities, there are various methods for their destruction. The most popular of those include a wooden stake through the heart, fire, decapitation, and exposure to sunlight. Vampires are often depicted as being repelled by garlic, running water, or Christian implements such as crucifixes and holy water. In some stories vampires may enter a home only if they have been invited, and in others they may be distracted by the scattering of objects such as seeds or grains that they are compelled to count, thereby enabling potential victims to escape.
Creatures with vampiric characteristics have appeared at least as far back as ancient Greece, where stories were told of creatures that attacked people in their sleep and drained their bodily fluids. Tales of walking corpses that drank the blood of the living and spread plague flourished in medieval Europe in times of disease, and people lacking a modern understanding of infectious disease came to believe that those who became vampires preyed first upon their own families. Research from the 20th and 21st centuries has posited that characteristics associated with vampires can be traced back to certain diseases such as porphyria, which makes one sensitive to sunlight; tuberculosis, which causes wasting; pellagra, a disease that thins the skin; and rabies, which causes biting and general sensitivities that could lead to repulsion by light or garlic.
Vampire myths were especially popular in eastern Europe, and the word vampire most likely originates from that region. Digging up the bodies of suspected vampires was practiced in many cultures throughout Europe, and it is thought that the natural characteristics of decomposition—such as receding gums and the appearance of growing hair and fingernails—reinforced the belief that corpses were in fact continuing some manner of life after death. Also possibly contributing to this belief was the pronouncement of death for people who were not dead. Because of the constraints of medical diagnosis at the time, people who were very ill, or sometimes even very drunk, and in a coma or in shock were thought dead and later “miraculously” recovered—sometimes too late to prevent their burial. Belief in vampires led to such rituals as staking corpses through the heart before they were buried. In some cultures the dead were buried facedown to prevent them from finding their way out of their graves.
The modern incarnation of vampire myth seems to have stemmed largely from Gothic European literature of the 18th and 19th centuries, about the time vampire hysteria was peaking in Europe. Vampiric figures appeared in 18th-century poetry, such as Heinrich August Ossenfelder’s “Der Vampyr” (1748), about a seemingly vampiric narrator who seduces an innocent maiden. Vampire poems began appearing in English about the turn of the 19th century, such as John Stagg’s “The Vampyre” (1810) and Lord Byron’s The Giaour (1813). The first prose vampire story published in English is believed to be John Polidori’s “The Vampyre” (1819), about a mysterious aristocrat named Lord Ruthven who seduces young women only to drain their blood and disappear. Those works and others inspired subsequent material for the stage. Later important vampire stories include the serial Varney, the Vampire; or, The Feast of Blood (1845–47) and “The Mysterious Stranger” (1853), which are cited as possible early influences for Bram Stoker’s Dracula (1897), and Théophile Gautier’s “La Morte amoureuse” (1836; “The Dead Lover”) and Sheridan Le Fanu’s Carmilla (1871–72), which established the vampire femme fatale.
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Dracula is arguably the most important work of vampire fiction. The tale of the Transylvanian count who uses supernatural abilities, including mind control and shape-shifting, to prey upon innocent victims inspired countless works thereafter. Many popular vampire characteristics—such as methods of survival and destruction, vampires as aristocracy, and even vampires being of eastern European origin—were solidified in this popular novel and especially through its 1931 film adaptation starring Hungarian-born actor Bela Lugosi. The novel itself is thought by some to have been inspired in part by the cruel acts of the 15th-century prince Vlad III Dracula of Transylvania, also known as “the Impaler,” and Countess Elizabeth Báthory, who was believed to have murdered dozens of young women during the 16th and 17th centuries in order to bathe in or possibly drink their blood so as to preserve her own vitality.
- Alison Eldridge
In this post, we explore this question and uncover the mystery behind a vampire’s eye colour. Vampires have alluring, hypnotic eyes that come in a variety of colours – from the lightest and brightest of blues to the darkest and deepest of blacks. Some are said even to have silver or gold hues!
Oct 14, 2023 · The Twilight franchise had its very own unique version of vampires, and among their most defining physical characteristics was the differing colors of the Twilight vampire eyes — here’s why they changed and what each color of vampire eye means in Twilight.
Mar 27, 2016 · Jerry’s vampire eyes have an orange iris with a wild dark red limbal ring. This look is widely adopted for vampires, with varying degrees of change from film to film. V amp – 19 86. With a larger fracture limbal ring and desaturated iris, that grades to a bright green, Vamp manages to be different enough to stand out from the standard vampire look.
