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Sobering, disabused, and all-encompassing
- Proust’s style is always sobering, disabused, and all-encompassing. His sentences are long because he needs to make certain not to miss anything along the way; but in order to take his reader through such a laborious travelogue and do justice to what he is really after, he needs to let each sentence tells its own story.
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May 21, 2024 · Movement / Style: Modernism. Marcel Proust (born July 10, 1871, Auteuil, near Paris, France—died November 18, 1922, Paris) was a French novelist, author of À la recherche du temps perdu (1913–27; In Search of Lost Time ), a seven-volume novel based on Proust’s life told psychologically and allegorically.
- George Duncan Painter
Feb 8, 2023 · The long complex sentences that emerge as the author’s style in the first volume, “Swann’s Way,” echo the multiform perceptions that set them into motion, with the intent to “drag forth ...
- William Benton
Valentin Louis Georges Eugène Marcel Proust (/ p r uː s t / PROOST, French: [maʁsɛl pʁust]; 10 July 1871 – 18 November 1922) was a French novelist, literary critic, and essayist who wrote the monumental novel À la recherche du temps perdu (in French – translated in English as Remembrance of Things Past and more recently as In Search of Lost Time) which was published in seven volumes ...
Jul 11, 2016 · Better even than James or Wharton, Proust is the consummate social novelist. He offers portraits of varied social classes that are psychologically resonant in ways other authors can’t even begin to replicate. For Proust, the duchess and the seamstress are of equal interest, their desires and shortcomings treated with the same deftness.
Jul 11, 2016 · Proust’s style is always sobering, disabused, and all-encompassing. His sentences are long because he needs to make certain not to miss anything along the way; but in order to take his reader through such a laborious travelogue and do justice to what he is really after, he needs to let each sentence tells its own story.
- Literary Hub
This vigorous style ties into Ruskin’s credo that men survive in the contortions of their work even after all else about them is lost, a theme that Proust turned back as a compliment by saying that Ruskin’s truest legacy is the light he left upon the things he loved.
Jul 11, 2016 · Vladimir Nabokov, who considered it the best novel of its era, described its major themes and effervescent, Mozartean style: “The transmutation of sensation into sentiment, the ebb and tide of memory, waves of emotions such as desire, jealousy, and artistic euphoria—this is the material of this enormous and yet singularly light and translucent w...
