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What is the Hindi language plot outline for Umma (2022)? Edit page. Recently viewed. Umma (2022) - Plot summary, synopsis, and more...
Umma: Directed by Iris K. Shim. With Sandra Oh, Fivel Stewart, Dermot Mulroney, Odeya Rush. Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
- (11K)
- Drama, Horror, Mystery
- Iris K. Shim
- 2022-03-18
- Umma Movie Plot Summary & Synopsis
- Umma Movie Ending Explained
- Umma (2022) Movie Themes Explained
- Umma (2022) Movie Review
Like In Domee Shi’s 2022 animation Turning Red, Sandra Oh plays an overbearing mother who is reluctant to let her daughter fly the nest. Although there are no giant red pandas in Umma, it does explore a similar relationship between mother and daughter. Oh, headlines the film as Amanda—a Korean immigrant who cut ties with her old life to home-school...
When Chrissy gets blindsided by Amanda/Umma, she pleads to the woman behind the mask. When the mask is knocked off, Amanda can see her daughter clearly and respond to her loving appeals. On a different plane of existence, Umma manifests herself in the physical so she and Amanda can talk frankly. They recognize each other’s pain and bitterness, as A...
Intergenerational trauma and mother/daughter relationships
Putting the paranormal aside, at the heart of Umma is a story of intergenerational trauma, expressed through the relationship between mother and daughter. The first layer of this motif comes from the bond between Amanda and Chrissy, beginning the show with a closeness that resembles best friends. They read and make honey together, laughing in the sunshine, but when Chrissy announces she wants to leave the farm, Amanda reacts badly. Not only does Amanda try to live vicariously through her daug...
Korean culture and heritage
Umma (2022) doesn’t just resent her daughter for becoming estranged; she is also troubled by the fact Amanda abandoned her Korean ancestry—something her uncle also shames her for. The Jesa ritual—consummated by Umma through Amanda—symbolizes her yearning for Amanda to reclaim her native identity. The hanbok and mask (called a Tal in Korea) is something you will find in many Korean households, as Shim explains in an interview: “It’s something that I would see in my house growing up…and the mor...
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By incorporating this Korean imagery into the film, Shim can highlight Amanda’s disconnect from her homeland and culture, which creates a gulf between herself and her past, her home and the rest of society, and unification across three generations of mothers and daughters.
Umma (2022) is allegorically littered with themes and messages, the root of it being cultural identity across borders—a nexus between Asia and America that has been eloquently explored in recent films such as Minari (dir. Lee Isaac Chung, 2022). The personal tale of cultural convergence and immigration—especially in the 21st-century landscape of mu...
Umma[Note 1] (Korean: 엄마, eomma) is a 2022 American supernatural horror film, written and directed by Iris K. Shim. The film stars Sandra Oh, Fivel Stewart, MeeWha Alana Lee, Tom Yi, Odeya Rush, and Dermot Mulroney. Sam Raimi serves as a producer on the film.
Summary: Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
Plot: What's the story about? Umma, which is the Korean word for “mother,” follows Amanda (Oh) and her daughter living a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
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Mar 18, 2022 · In many ways, “Umma” is an interesting and ambitious drama that is willing to take on any number of weighty topics, ranging from the dark side of assimilation to parent-child relationships to the myriad ways in which trauma can be passed, sometimes unintentionally, from one generation to the next.
