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- The Lost Art Of Keeping A Secret (Rated R, 2000) No One Knows might’ve been the point Queens Of The Stone Age smashed into the mainstream, but we’d argue their previous lead single The Lost Art Of Keeping A Secret was better proof of their sonic dexterity and peerless ability to walk a line between sinister and sensuous.
- No One Knows (Songs For The Deaf, 2002) In contrast, absolutely fucking everyone has heard the lead single from Songs For The Deaf. Josh had apparently been toying with the base idea for years before it properly clicked, but when it finally did it would catapult his band to superstardom.
- Regular John (Queens Of The Stone Age, 1998) If you ask Josh, there’s a very real chance he’ll tell you that the first track on Queens Of The Stone Age’s self-titled 1998 debut is the finest song he’s ever written.
- Go With The Flow (Songs For The Deaf, 2002) If Songs For The Deaf was visualised by the band as a concept album where the listener flicked between radio stations on the drive from Los Angeles to Joshua Tree, then Go With The Flow must’ve coincided with the moment we leave the city and hit the open road.
- Paul Brannigan
- No-One Knows. Co-written with former Screaming Trees frontman Mark Lanegan, the lead-off single from 2002’s wonderful Songs For The Deaf album is inarguably QOTSA’s best-known and best-loved song.
- Regular John. In 2011, Josh Homme stated that it was “quite possible” that Regular John, the opening song on QOTSA’s self-titled 1998 debut album, is the best song he’s ever written.
- The Lost Art Of Keeping A Secret. Queens’ first UK Top 40 single was regularly introduced onstage by Josh Homme as “a song about fucking”, its themes of lies, lust, betrayal and violence marking it out as a peculiarly sinister and menacing pop hit.
- The Vampyre Of Time And Memory. During what should have been routine knee surgery in 2010, Josh Homme’s heart stopped on a LA hospital operating table: “It was not the greatest and funnest [sic] thing ever,” he noted afterwards with a hint of understatement.
- Give The Mule What He Wants
- Feet Don’T Fail Me
- Mosquito Song
- Make It Wit Chu
- My God Is The Sun
- In The Fade
- 3’s and 7’s
- Better Living Through Chemistry
- Everybody Knows That You’Re Insane
- Monsters in The Parasol
Queens Of The Stone Age’s initial incarnation centered around Josh Homme and drummer Alfredo Hernandez, with the duo handling all the instruments on their self-titled debut album, released via Pearl Jam guitarist Stone Gossard’s Loosegrooves imprint in October 1998. Rolling Stonenoted that the record landed in “the place between art-metal seriousne...
Josh Homme and wunderkind producer Mark Ronson (Amy Winehouse, Lady Gaga, Adele) both rank among modern rock and pop’s most inventive artists, so it’s no surprise that their collaboration on QOTSA’s 2017 album, Villains, produced a record with all the hallmarks of a keeper. Homme revealed that Ronson’s 2015 Bruno Mars collaboration “Uptown Funk” in...
Such was the pool of material QOTSA could dip into for 2002’s consummate, multi-platinum Songs For The Deafthat the remarkable “Mosquito Song” only appeared as the “hidden” track tagged on at the end. As such, fans might have expected something dashed off, but instead they got a stunning, Mariachi-flavored workout centered upon Josh Homme’s acousti...
The initial recording of “Make It Wit Chu” appeared on the ninth volume of Josh Homme’s ongoing side project The Desert Sessions, with a cameo from PJ Harvey, but QOTSA revisited it for their fifth album, Era Vulgaris, in 2007. As sultry and lustful as anything in the band’s canon, “Make It Wit Chu” has more than a little of The Rolling Stones’ “Mi...
QOTSA endured a period of turbulence following the tour for 2007’s Era Vulgaris, with Josh Homme suffering from ill health and the band riding out personnel reshuffles. However, they returned refreshed with 2013’s … Like Clockwork, which was nominated for three Grammy Awards, including Best Rock Album. It was previewed by the urgent “My God Is The ...
Bassist Nick Oliveri and ex-Screaming Trees vocalist Mark Lanegan joined Josh Homme to record 2000’s Rated R: QOTSA’s Interscope debut and their commercial breakthrough on both sides of the Atlantic. Homme accurately described Rated Ras a record with “a dynamic range,” and Lanegan’s forbidding presence added a whole new dimension to several of the ...
QOTSA took a step back from the sweeping melodrama of 2005’s Lullabies To Paralyze with 2007’s hard-edged, guitar-driven Era Vulgaris. Josh Homme has described the record as “dark, hard and electrical, sort of like a construction worker,” and that’s a fitting image for “3’s and 7’s”: an ode to telling white lies, driven by robotic riffs which pull ...
Rated R’s most overtly mind-altering experience, “Better Living Through Chemistry” puts the emphasis very much on its title’s final word. There’s also some remarkable musical alchemy, with this acid-fried, suite-like construction stretching to almost six minutes. Beginning with pattering tablas, it’s anchored by Oliveri’s insistent bass motif, whic...
Another chameleonic triumph, Lullabies To Paralyze’s “Everybody Knows That You’re Insane” lurches from Black Sabbath-style doom rock to revved-up, alt.rock workout to classic rock anthem in just four breathless minutes. Fans have long since speculated whether the song’s bitter, sneering lyric (“You want to know why you’re so hollow?/Because you are...
An absolute belter of a tune from Rated R, “Monsters In The Parasol” found Josh Homme recounting the effects of an LSD trip (“The walls are closing in again, oh well/I’ve seen some things I thought I’d never saw/Covered in hair”) in minute detail. However, in contrast to its surreal lyric, the song’s disciplined musical backdrop – insistent, chuggi...
- Tim Peacock
- 6 min
Jul 1, 2024 · Queens of the Stone Age often elevate the track’s intensity with powerful stage presence and extended instrumental solos. Fans and critics alike often praise the live renditions for their sheer explosiveness and immersive experience.
- “A Song For The Deaf” (from Songs For The Deaf, 2002) “Here is something you should drop to your knees for, and worship,” an unnamed DJ proclaims, introducing Songs For The Deaf’s title track.
- “Go With The Flow” (from Songs For The Deaf, 2002) Leave it to a sneering, chain-smoking lothario to write one of modern rock’s smartest, sexiest love songs.
- “The Lost Art Of Keeping A Secret” (from R, 2000) The first single off R, “The Lost Art Of Keeping A Secret” gave Queens their first taste of fame, in the form of video airplay and modest chart success.
- “In My Head” (from Lullabies To Paralyze, 2005) Queens’ pop prowess takes center stage on this gem off 2005’s Lullabies To Paralyze, the band’s fairytale-inspired journey into the heart of darkness.
Feb 6, 2021 · Here are all of Queens of the Stone Age songs ranked. Don’t miss out on the music of Queens of the Stone Age below! Click to enjoy the songs that made them a huge commercial success in the USA!
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Aug 14, 2017 · These are the best Queens of the Stone Age songs, certain to turn your Monday into a Saturday. “Turnin On the Screw” (5:20) from Era Vulgaris (2007; Interscope)
