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Anatole Dauman. Anatole Dauman (7 February 1925 in Warsaw – 8 April 1998 in Paris) was a French film producer. He produced films by Jean-Luc Godard, Robert Bresson, Wim Wenders, Nagisa Oshima, Andrei Tarkovsky, Chris Marker, Volker Schlöndorff, Walerian Borowczyk, and Alain Resnais . He was a principal figure in Argos Films, a company that ...
Apr 9, 1998 · Anatole Dauman, a risk-taking international film producer who worked with innovative directors to create commercially successful classics such as "The Tin Drum" and "Wings of Desire," died Wednesday.
Jun 23, 2003 · Prompted by Olga Wormser, three film producers––Anatole Dauman, Samy Halfon, and Philippe Lifchitz––visited the exhibition and decided that a film should be made on the subject. Approached by Dauman to direct the documentary, Alain Resnais at first demurred, as he felt that only somebody with first-hand experience of the concentration ...
— Anatole Dauman. Hiroshima, Mon Amour (1959) “Alain Resnais came to feature directing through unusual circumstances. I had proposed to Mr. Nagata, president of the powerful company Daiei, a documentary about the A-bomb. It was to be an official coproduction between France and Japan.
Apr 8, 1998 · Anatole Dauman is known as an Producer, Production Manager, Presenter, Executive Producer, Thanks, Actor, and Co-Producer. Some of his work includes Paris, Texas, Wings of Desire, Fantastic Planet, La Jetée, Hiroshima Mon Amour, In the Realm of the Senses, Last Year at Marienbad, and Night and Fog.
Anatole Dauman (1925 in Warsaw - April 8, 1998 in Paris) was a French film producer. He produced films by Jean-Luc Godard , Robert Bresson , Wim Wenders , Nagisa Oshima , Andrei Tarkovsky , Chris Marker , Volker Schlöndorff , Walerian Borowczyk , and Alain Resnais .
Oct 17, 2016 · When the great French director Alain Resnais accepted producer Anatole Dauman's invitation to make a documentary about the Holocaust, he turned to a close friend, the noted poet and publisher Jean Cayrol, to write the narration that would accompany the film's profoundly troubling images.
