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Rushmore is a 1998 American comedy film [1] directed by Wes Anderson about a teenager named Max Fischer ( Jason Schwartzman in his film debut), his friendship with rich industrialist Herman Blume ( Bill Murray ), and their shared affection for elementary school teacher Rosemary Cross ( Olivia Williams ). The film was co-written by Anderson and ...
Jan 8, 2015 · Even this scene, though, required Anderson’s fussy touch. “I remember we set it up and Wes went in there and spent a bunch of time rearranging all the hair on the sink to be exactly what he ...
- Contributor
Apr 25, 2021 · WES ANDERSON cinematography style Cinematography: Wes Anderson films. Wes Anderson is not a cinematographer; he's a writer and director. Meet Robert Yeoman, one of the most prolific cinematographers working today. Yeoman has helped cement the visual template associated with Wes Anderson, so much so that Anderson has not worked with another ...
Jul 1, 2014 · This time around I’ll be moving into his second feature film “Rushmore” and attempting to explore these same themes and how they undergo transformation with Anderson tackling a bigger cast of characters focusing on a very different but similarly self-involved protagonist. The film opens with a dream that idealizes the protagonist.
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- Philip Sledge
- Bottle Rocket (1996) - Planning The Robbery. Though he had not yet fully developed the style for which he is now known, you can see traces of what was to come in Wes Anderson’s 1996 crime comedy, Bottle Rocket, which he wrote alongside Owen Wilson, one of his most prolific collaborators.
- Rushmore (1998) - The Revenge Montage. Anderson continued to evolve his style with his 1998 sophomore effort, Rushmore, a movie about an eccentric teenager named Max Fischer (Jason Schwartzman) who goes to war with his mentor, Herman Blume (Bill Murray), after they both fall in love with the same woman, played by Olivia Williams.
- The Royal Tenenbaums (2001) - Window Scene In Prologue. The Royal Tenenbaums, released in 2001, feels like the beginning of the style we now most associate with Wes Anderson.
- The Life Aquatic With Steve Zissou (2004) - In Awe Of The Jaguar Shark. In The Life Aquatic with Steve Zissou, Anderson takes the visual toolbox he constructed in his three previous films to create a career-defining experience, one that tells the story of an oceanographer (Bill Murray) searching for the “Jaguar Shark” that ate his best friend, but the underwater encounter with the fabled beast is the best.
May 1, 2023 · Unpacking Wes Anderson's Cinematic Style. 01 May 2023 | 7 MINS READ. Asteroid City (2023), Wes Anderson. Zoë Morgan. Wes Anderson’s style is one of the most distinctive in contemporary cinema. So much so that viewers can recognise his work from a single image, whether it’s animation or live-action. While vintage flair, bold colour scheme ...
Sep 17, 2018 · Wes Anderson’s Rushmore was a dark, daring turning point in his aesthetic. 20 years on from his sophomore film about a precocious man-child, the moments and techniques that define the iconic filmmaker are quietly evident. Pastel hues, perfectly balanced mid-shots, carefully chosen set pieces and intricately detailed costumes – these are a ...
