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- The first part, which is the one more closely connected to the earlier legend, was published in 1808, the second posthumously in 1832.
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Goethe completed a preliminary version of what is now known as Part One in 1806. Its publication in 1808 was followed by the revised 1828–29 edition, the last to be edited by Goethe himself. Goethe finished writing Faust, Part Two in 1831; it was published posthumously the following year.
Apr 25, 2024 · Faust, two-part dramatic work by Johann Wolfgang von Goethe. Part I was published in 1808 and Part II in 1832, after the author’s death. The supreme work of Goethe’s later years, Faust is sometimes considered Germany’s greatest contribution to world literature.
- The Editors of Encyclopaedia Britannica
In the 1725 version, which Goethe read, Mephostophiles is a devil in the form of a greyfriar summoned by Faust in a wood outside Wittenberg. From the chapbooks, the name entered Faustian literature. Many authors have used it, from Goethe to Christopher Marlowe.
Apr 11, 2024 · Mephistopheles, familiar spirit of the Devil in late settings of the legend of Faust. It is probable that the name Mephistopheles was invented for the historical Johann Georg Faust (c. 1480–c. 1540) by the anonymous author of the first Faustbuch (1587).
- The Editors of Encyclopaedia Britannica
Work on Faust accompanied Goethe throughout his adult life. Of a possible plan in 1769 to dramatize the story of the man who sold his soul to the Devil in exchange for earthly fulfillment, perhaps including his ultimate redemption, no firm evidence survives.
During the term of the bargain, Faust makes use of Mephistopheles in various ways. In Goethe's drama, and many subsequent versions of the story, Mephistopheles helps Faust seduce a beautiful and innocent young woman, usually named Gretchen, whose life is ultimately destroyed when she gives birth to Faust's illegitimate son. Realizing this ...
Goethe's Mephisto is very different from the crude devil of medieval legend and the original Faust story. He is a cultivated, witty, and cynical exponent of materialism and nihilism, and preaches a sophisticated doctrine of philosophical negation.
