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1983
- After that introduction to film-making Davies attended the National FIlm School, completing Madonna and Child (1980), a continuation of the story of his alter ego, Robert Tucker, covering his years as a clerk in Liverpool. He completed the trilogy with Death and Transfiguration (1983), in which he speculates about the circumstances of his death.
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He completed the trilogy with Death and Transfiguration (1983), in which he speculates about the circumstances of his death. Over the course of these three films, we witness the emergence of Davies' singular talent and style, the refinement of his technique, and a director growing in confidence, soon to become feted as British cinema's greatest ...
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With Phillip Mawdsley, Nick Stringer, Valerie Lilley, Robin Hooper. Three autobiographical short films made over seven years about a young gay man coming to terms with his Catholic schooling, his homosexuality and guilt, his parents and their deaths, despair and loneliness.
- (676)
- Drama
- Terence Davies
- 1984-09-28
Oct 14, 2019 · While Distant Voices, Still Lives (1988), The Long Day Closes (1992) and Of Time and the City (2008) are feature-length depictions of the people and places he knew growing up, the three short films that comprise The Terence Davies Trilogy – Children (1976), Madonna and Child (1980) and Death and Transfiguration (1983) –are the earliest ...
- Martyn Bamber
Overview. In stark black and white, Terence Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions.
The Terence Davies Trilogy. In three short films made over the course of seven years, Terence Davies traces the childhood, life, and death of his alter ego, a closeted gay man named Robert Tucker.
Oct 23, 2014 · “The Terence Davies Trilogy,” as it was called when released in 1984, is a compilation of three black-and-white shorts shot on 16mm over the course of seven years—”Children” (1976), “Madonna and Child” (1980), and “Death and Transfiguration” (1983)—all of which evince compositional poise and thematic audacity. The most strongly
In the final entry, "Death and Transfiguration" (1983), he deals with his mother's death and then faces his own impending doom. A trilogy of short films tell the life of Robert Tucker. "Children" (1976) looks at his birth and formative at an austere boy's school.
