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Arab ʿūd
- The lute that was prominent in European popular art and music of the Renaissance and Baroque periods originated as the Arab ʿūd. This instrument was taken to Europe in the 13th century by way of Spain and by returning crusaders and is still played in Arab countries.
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The lute that was prominent in European popular art and music of the Renaissance and Baroque periods originated as the Arab ʿūd. This instrument was taken to Europe in the 13th century by way of Spain and by returning crusaders and is still played in Arab countries.
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The European lute and the modern Near-Eastern oud descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [2] .
Lutes either rose in ancient Mesopotamia prior to 3100 BC or were brought to the area by ancient Semitic tribes. The lutes were pierced lutes; long-necked lutes with a neck made from a stick that went into a carved or turtle-shell bowl, the top covered with skin, and strings tied to the neck and instrument's bottom.
In the first decades of the eighteenth century, lute music was revolutionized in Germany by lute player and composer Silvius Leopold Weiss. His musical ideas made it necessary to extend the number of strings, giving birth to the thirteen-course lute.
“A History of the Lute” by D. A. Smith reads like a novel on the lute and its music. Its content is chronological from antiquity till early Italian renaissance, after which each country receives its own chapter.
The origins of the lute, however, lay outside Europe. The lute derives its name, as well as its distinctive shape, from the Arabic 'ud, an instrument which is vey much at the heart of Arabic musical life to this day.
Feb 14, 2016 · The earliest evidence of the Arab ‘ud in Europe can be found in numerous carvings and depictions dating back to the ninth century, when it was introduced by the Moors to Spain. However, it is not until the thirteenth century that the Western lute can be distinguished from the Arab ‘ud in iconography.
