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About Us. Artforum is the magazine of record for the contemporary art world and holds the unique roles of institution and foremost tastemaker of the industry. Established in 1962, it is often the first to identify artists whose work comes to define eras, delivering the highest level of critical discourse to an international audience. Artforum ...
Each member of the editorial team is important. While definitions of each role can vary from publication to publication, and roles can overlap—especially within small teams— here are some general features of each position.
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Readership. holder. C Magazine readers are visual arts professionals and those with a keen interest in the forms, content and meaning of contemporary art - including artists, curators, art writers and critics, dealers, educators, students, consultants and art collectors.
Dec 7, 2023 · Gruppe is a collaborative online space and project platform for young writers, artists, and designers, founded in 2017. Their core idea is to pair artists from different genres and support them in producing projects that re-imagine contemporary culture. Recommended Reads: Decent Exposure. There for Real.
- Tyler Green
- Adrian Searle
- Robin Cembalest
- Jonathan Jones
- Roberta Smith
- Jason Farago
- Christopher Knight
- Rebecca Solnit & Adam Gopnik
A specialist in modern art, Green has been hosting the Modern Art Notes Podcast since 2011. The show has been recognized by the International Association of Art Critics (AICA-USA) for its contribution to the art world at large. According to The Wall Street Journal, Modern Art Notes is one of “the most influential of all visual arts blogs [and you] ...
Holding down the fort as an art critic at The Guardiansince 1996, Searle is also a painter by training, an academic, and a curator of exhibitions in the United Kingdom, United States, and Europe. He’s a preeminent source for what’s happening in the British art world. Discover more at @SearleAdrian
Transitioning from a traditional and wide-ranging role as a journalist, Cembalest is now a consultant on social media strategy for museums, galleries, and nonprofits. She was editor-in-chief at ARTnewsuntil 2014 and is now one of the art world’s leaders in the social media sphere. She is also the driving force behind Niboristas, which creates netwo...
Another regular contributor to The Guardian, Jones has also been a judge for the Turner Prize, the BP Portrait Award, and appeared on the BBC’s Private Life of a Masterpiece. He’s known for his plainspoken verbal jabs at work he isn’t enthusiastic about, including an infamous tit-for-tat with the artist Grayson Perry.
She is one of the leading art critics and lecturers in the United States, with a regular column in the New York Times. She covers both institutional and outsider art and says, “… the great thing about art is that there’s more than you can ever know about, you can’t learn it all. And you’re lucky if you get to spend your lifetime trying to.” Discove...
A contributor to The London Review of Books, n+1, Dissent, Frieze, and The Guardian, Farago is an art historian by training who was an expatriate in London for years. Now based in New York, he writes for the New York Times and edits the art magazine Even. Discover more at @jsf
The longtime resident art critic for the Los Angeles Times, Knight has been a finalist for the Pulitzer Prize three times and was featured in the documentary The Art of the Steal. He covers the global art scene while concentrating on what’s afoot in California. Discover more
Neither Solnit nor Gopnik are full-time art journalists but are influential writers who do regularly write about art, oftentimes bringing an outsider’s perspective to the sometimes insular world of contemporary art. Solnit is a contributing editor at Harper’s and her writings about a broad range of subjects have been published in numerous publicati...
Editorial writing is as much an art as it is a craft. Its heart lies in persuasion skills, compelling readers to view issues from a fresh perspective, reconsider established notions, or take decisive action. Integral to this art are essential editorial techniques steeped in rhetoric – ethos, pathos, and logos. Understanding and leveraging ...
In the spectrum of art publications Metronome falls far from the Artforums of the world, and as such expands the possibilities of a hybrid curatorial and editorial practice. An art magazine can be a platform for discussions in a way that exhibitions can’t be: because it allows writers and artists a space for reflection rather than ...
