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May 10, 1996 · Dead Man: Directed by Jim Jarmusch. With Johnny Depp, Gary Farmer, Crispin Glover, Lance Henriksen. On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the spiritual world.
Jun 28, 1996 · We discover the dead man is Dickinson's son, and the mill owner hires men to track and kill Blake. The next morning Blake regains consciousness in the forest to find his wound being tended by the Indian named Nobody (Gary Farmer), who was raised by white men, educated in England, and treats Blake as if he really is the poet.
The story, with Nobody's help, leads William Blake through situations that are in turn comical and violent. Contrary to his nature, circumstances transform Blake into a hunted outlaw, a killer ...
Circumstances transform a mild-mannered accountant (Johnny Depp) into a notorious Old West gunslinger.
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On the run after murdering a man, accountant William Blake encounters a strange Native American man named Nobody who prepares him for his journey into the spiritual world.
Dead Man. With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death.
With DEAD MAN, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country's legacy of violence and prejudice, and the natural cycle of life and death.
Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. Johnny Depp stars as William Blake, a naive bookkeeper...
With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death.
With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of...
