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My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on the 1938 film adaptation of George Bernard Shaw 's 1913 play Pygmalion, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady.
My Fair Lady: Directed by George Cukor. With Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White. In 1910s London, snobbish phonetics professor Henry Higgins agrees to a wager that he can make a crude flower girl, Eliza Doolittle, presentable in high society.
My Fair Lady is a 1964 American musical comedy-drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion.
My Fair Lady, American musical film, released in 1964, that was adapted from the long-running Broadway musical of the same name and proved to be a great popular and critical success. The movie, which starred Rex Harrison and Audrey Hepburn, won eight Academy Awards, including that for best picture. Rex Harrison and Audrey Hepburn in My Fair Lady.
My Fair Lady (1964) cast and crew credits, including actors, actresses, directors, writers and more.
Pompous phonetics Professor Henry Higgins (Sir Rex Harrison) is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society.
Nov 27, 2020 · Get it now: https://paramnt.us/WatchMyFairLady This beloved adaptation of the Broadway stage hit stars Audrey Hepburn in the role of Eliza Doolittle, a sassy, working-class London...
In this beloved musical, pompous phonetics professor Henry Higgins (Rex Harrison) is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl...
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One of the best of the many show-stoppers from the classic film that won 8 Academy Awards including Best Picture of 1964, "My Fair Lady,' starring the incomp...
Jan 1, 2006 · “My Fair Lady,” with its dialogue drawn from Shaw, was trickier and more challenging than most other stage musicals; the dialogue not only incorporated Shavian theory, wit and ideology, but required Eliza to master a transition from Cockney to the Queen’s English.