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Jun 12, 2014 · Composer John Powell Talks HOW TO TRAIN YOUR DRAGON 2, the State of Film Scoring Today, His Career, Taking a Break, Hans Zimmer, and More By Adam Chitwood Published Jun 12, 2014
May 31, 2014 · John Powell came to compose his most famous soundtrack almost by mistake. In 2002, the director Doug Liman had just filmed a new action thriller starring Matt Damon, loosely based on a pulp novel ...
Released: March 23, 2010. How to Train Your Dragon: Music from the Motion Picture is a soundtrack album composed by John Powell for the film of the same name and released by Varèse Sarabande on March 23, 2010. The score earned Powell his first Academy Award nomination and his third BAFTA nomination, which he lost to The Social Network and The ...
John Powell (born 18 September 1963) is an English composer, best known for his scores in motion pictures. He has been based in Los Angeles since 1997 and has composed the scores to over fifty feature films. Powell is also known for composing eight animated films for Blue Sky Studios, such as Robots (2005), the second three Ice Age films (2006-2012), Dr. Seuss' Horton Hears a Who! (2008), the ...
John Powell is an award-winning film composer and music producer from London, England. He is best known for his work on the Shrek and How to Train Your Dragon franchises, The Bourne Identity, X-Men: The Last Stand, and Happy Feet. He has also composed for films such as Ice Age, Robots, Mr. & Mrs. Smith, Rio, and Solo: A Star Wars Story.
Nov 14, 2023 · November 14, 2023 9:50am. 'Migration' Universal Pictures/Courtesy Everett Collection. For Migration, composer John Powell was tasked with creating a theme for a reluctant hero that evolves ...
John Powell (born 18 September 1963) is an English composer, conductor, pianist, and record producer, best known for his film scores. He has been based in Los Angeles since 1997 and has composed the scores to over seventy feature films. [1] Powell is best known for composing and/or co-composing scores for animated films, such as Antz (1998 ...
