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  1. May 31, 2019 · Ma is elevated by Octavia Spencer's terrifically creepy performance, even as it struggles to realize the full potential of its horror movie premise. Part of Blumhouse's recent success can be attributed to their willingness to produce horror flicks that are not only original, but also very different in terms of style and subject matter.

  2. Ma (2019) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse ...

  3. May 31, 2019 · Tate Taylor. Director. Scotty Landes. Writer. Written by Gimly on October 2, 2019. Sue Ann is a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town, to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.

  4. Ma is a 2019 American psychological horror film, co-produced and directed by Tate Taylor. It stars Octavia Spencer, Juliette Lewis, Diana Silvers, Corey Fogelmanis, and Luke Evans, and follows a group of teenagers who befriend a lonely middle-aged woman. She lets them party in her basement, and they end up being terrorized by her. The film was produced by Jason Blum through his Blumhouse ...

  5. Ma is a 2019 psychological horror film written and directed by Tate Taylor and distributed by Blumhouse Productions. The film involves the titular "Ma," Sue Ann Ellington ( Octavia Spencer ), being convinced by a group of adolescents to buy them alcohol. She offers them the opportunity of drinking in her basement, but she also lays down several ...

  6. Ma. Sue Ann is a lonely woman who keeps to herself in a quiet Ohio town. When a local teenage girl asks Sue Ann to buy some booze for her group of friends, she decides to make some new friends of her own and offers her basement for the kids to party. They just have to follow a few simple house rules: Someone has to stay sober.

  7. May 31, 2019 · The set-up for “Ma” has that same inherently disorienting quality, but it abandons the many discernible themes that come to its surface: popularity as power, tokenism, the lingering horror of our high school years. “Ma” can’t even muster a delicious slice of nastiness—it’s not sharp enough for that. Thriller. Horror. Comedy.

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