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  1. Title Screen : Movie Title/Year and Scene Descriptions: Screenshots: One Way Passage (1932) In director Tay Garnett's and Warner Bros' pre-Code romantic, tragic, and tearjerking melodramatic love story, with a unique, ritualistic symbol of a couple's emotional commitment and connectivity (crossed, broken cocktail glass stems) - remade as 'Til We Meet Again (1940) starring Merle Oberon and ...

  2. One-Way Passage was released to critical and commercial acclaim. Photoplay credited Kay’s performance as one of the “Best of the Month,” and wrote that the film was hands-down the best of the Francis-Powell pairings. With a box office gross of $1,108,000, One Way Passage shot Kay up to the

  3. One-Way Passage was released to critical and commercial acclaim. Photoplay credited Kay’s performance as one of the “Best of the Month,” and wrote that the film was hands-down the best of the Francis-Powell pairings. With a box office gross of $1,108,000, One Way Passage shot Kay up to the

  4. May 7, 2023 · Overall: 4/5. Tay Garnett’s One Way Passage features a very engaging, bittersweet romance between William Powell and Kay Francis that’s surprisingly over almost before it’s begun. This 1932 pre-code dramedy has been spruced up with video and audio that makes this Oscar-winning movie something worth seeing and hearing. Recommended!

  5. Similar Movies you can watch for free. Is One Way Passage streaming? Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video.

    • 68 min
  6. Jan 13, 2019 · One of the best filmed love stories of all-time, the sublime One Way Passage also manages to be surprisingly atypical. There’s no romantic rivals, no heavy baggage, save for a pair of inescapable fates for the lovers. Dan ( Powell) killed someone– a bad someone, naturally– and was finally caught in Hong Kong by the bullheaded and ...

  7. With so much going for it, and especially in its handsome new Blu-Ray configuration, One Way Passage is a lovely craft in which to set sail upon the new year. By: J.B. Kaufman. Warner Bros., 1932. Director: Tay Garnett. Screenplay: Wilson Mizner and Joseph Jackson, based on a story by Robert Lord. Camera: Robert Kurrle. Film editor: Ralph Dawson.

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