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Jean-Auguste-Dominique Ingres was a seminal French painter who championed Neoclassicism during a period that saw the rise of Romantic painters like Eugène Delacroix. View Jean-Auguste-Dominique Ingres’s 626 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) Sitter: Niccolò Paganini (Italian, Genoa 1782–1840 Nice) Date: ca. 1830. Medium: Counterproof or tracing strengthened with graphite and gouache on translucent paper. Dimensions: 9 7/16 x 7 5/16 in. (24 x 18.5 cm)
Artwork Details. Title: Head of Saint John the Evangelist. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) Medium: Oil on canvas, laid down on wood. Dimensions: 15 1/2 x 10 5/8 in. (39.4 x 27 cm) Classification: Paintings. Credit Line: Catharine Lorillard Wolfe Collection, Purchase, Bequest of Catharine Lorillard ...
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A.-D. Ingres (born August 29, 1780, Montauban, France—died January 14, 1867, Paris) was a painter and icon of cultural conservatism in 19th-century France. Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David. His cool, meticulously drawn works constituted the stylistic ...
Artwork Details. Title: Odalisque in Grisaille. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) and Workshop. Date: ca. 1824–34. Medium: Oil on canvas. Dimensions: 32 3/4 x 43 in. (83.2 x 109.2 cm) Classification: Paintings. Credit Line: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1938.
Artwork Details. Title: The Virgin Adoring the Host. Artist: Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris) Date: 1852. Medium: Oil on canvas. Dimensions: 15 7/8 x 12 7/8 in. (40.3 x 32.7 cm) Classification: Paintings. Credit Line: Gift of Lila and Herman Shickman, 2005. Accession Number: 2005.186.
Feb 21, 2024 · Ingres won the Prix de Rome in 1801. A lifelong admirer of both Raphael and ancient art, he adored Italy. While residing in Rome, he often lived hand-to-mouth, surviving by drawing graceful pencil portraits of wealthy French people on holiday. He returned to Paris in 1824 to find his Vow of Louis XIII applauded by critics.
