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May 23, 2023 · In this series of blogs, I explore the musical details of The Lord of the Rings: The Rings of Power.For a comprehensive introduction to my approach and my creative experience, start with my introductory four-part “Appendices:” Part 1 “Journey to Middle-earth,” Part 2 “Themes of Middle-earth,” Part 3 “Forming a Fellowship,” and Part 4 “There and Back Again.”
Apr 5, 2008 · On to He That Believeth…. Season 3 concluded before a hypnotic, rock-inspired “All Along the Watchtower” backdrop, but Season 4 begins with a cold snap back to reality. So the score enters simply, with the strains of a solo erhu, playing Kara’s Destiny Theme as we return to Kara and Lee, flying side by side. The oddly serene moment is ...
Jan 22, 2016 · The Boy. January 22, 2016. In “The Boy,” a new psychological thriller film from Lakeshore and STX Entertainment, Lauren Cohan plays Greta, an American nanny who comes to a work for an English family, only to discover that their son Brahms is a life-sized porcelain doll. The film is smart, intimate and well-paced.
Caprica City is a familiar society at its most decadent and opulent peak, hardly a rag-tag fleet of refugees struggling for resources. The audience knows that doomsday looms on the horizon for citizens of Caprica City, but the characters themselves do not. “Caprica was a city that on the outside was modern, structured, and efficient ...
Sep 14, 2011 · The Music of Battlestar Galactica for Solo Piano was recorded and performed live on a world-class instrument by an equally world-class pianist: Joohyun Park. The limited edition CD package contains exclusive liner notes from Randall Larson which are among the most insightful and highly-detailed analyses of my work I’ve ever read.
Jan 7, 2016 · The film opens nationwide tomorrow. More of a psychological thriller than a horror film, The Forest tells the story of a young American woman named Sara (Natalie Dormer, in a powerful performance) who ventures in Aokigahara Forest in search of her missing twin sister, Jess. I watched an early cut alone, in the middle of the night, in my ...
Mar 25, 2007 · Only at the end of “Crossroads, Part II” do Dylan’s musical ideas and this theme finally combine. Beneath the vocal line, the heavy-metal inspired guitar riff includes a direct quotation of this theme. Additionally, this theme shows up throughout the score on the electric sitar, harmoniums, duduk, yialli tanbur and electric violin.
