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Introduction: Mary of Burgundy. Introduction: Mary of Burgundy in Prayer. As a way of introducing our discussion of Northern Renaissance art, I want to consider the image above. It is a miniature in a type of prayer book known as a Book of Hours. Especially in the early part of this course, many of the major monuments we will be considering ...
Introduction: Mary of Burgundy. Introduction: Mary of Burgundy in Prayer. As a way of introducing our discussion of Northern Renaissance art, I want to consider the image above. It is a miniature in a type of prayer book known as a Book of Hours. Especially in the early part of this course, many of the major monuments we will be considering ...
Jan 1, 1970 · The first miniature is the highly acclaimed and influential depiction of Mary of Burgundy from the Vienna Hours at devotion in front of an open window showing a scene from an unearthly cathedral.
- Leather Bound
- J.J.G (editor) ALEXANDER
Jan 1, 1970 · The first miniature is the highly acclaimed and influential depiction of Mary of Burgundy from the Vienna Hours at devotion in front of an open window showing a scene from an unearthly cathedral.
- J. J. G. Alexander
Feb 20, 2018 · Using detailed visual examination and scientific analysis, a recent technical study of the tomb—the first ever undertaken—provides new insights into how this elaborate multimedia monument was created. When combined with documentary evidence, these findings shed light on the wider sculptural practices in northern Renaissance Europe. 02/20/18.
Mary of Burgundy, Duchess of Cleves. Mary of Burgundy, Duchess of Cleves (1393 – 30 October 1466) was the second child of John the Fearless and Margaret of Bavaria, [1] and an elder sister of Philip the Good. [2] Born in Dijon, she became the second wife of Adolph, Count of Mark in May 1406. He was made the 1st Duke of Cleves in 1417.
Mary of Burgundy. Master H.A. or A.H. Austrian. 1528. On view at The Met Fifth Avenue in Gallery 953. Mary, duchess of Burgundy (1457–1482), was the first wife of Emperor Maximilian I, whom she married in 1477. She wears a tall Burgundian hennin, or steeple headdress, characteristic of 1470s fashion. The heavy band of material over her ...
