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833.912. Siddhartha: An Indian novel ( German: Siddhartha: Eine Indische Dichtung; German: [ziˈdaʁta] ⓘ) is a 1922 novel by Hermann Hesse that deals with the spiritual journey of self-discovery of a man named Siddhartha during the time of the Gautama Buddha. The book, Hesse's ninth novel, was written in German, in a simple, lyrical style.
Steppenwolf. Hermann Hesse. Modern Library, 1963 - Fiction - 246 pages. Steppenwolf (originally Der Steppenwolf) is the tenth novel by German-Swiss author Hermann Hesse. Originally published in Germany in 1927, it was first translated into English in 1929. The novel was named after the German name for the steppe wolf.
A summary of Preface in Hermann Hesse's Steppenwolf. Learn exactly what happened in this chapter, scene, or section of Steppenwolf and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
Jan 21, 2023 · In this painstakingly reckless rendition, The Steppenwolf reveals the odd, ungainly imaginative power that made it every bit the reading sensation its predecessor Siddhartha had been, a century ago. If Hermann Hesse is to find a new generation of readers, it will be through translations just like this one. Steve Donoghue is a founding editor of ...
Hermann Hesse ( [ˈhɛr.man ˈhɛ̞.sɘ]) (July 2, 1877 – August 9, 1962) was a Nobel Prize –winning German - Swiss novelist and poet. Hesse gained a wide readership for his lyrical explorations of spirituality and psychology in a time when other modernists were describing the dread, alienation, and absurdity of modern industrial society.
Steppenwolf, published in 1927 by German-Swiss author Hermann Hesse, is a novel that explores the dual nature of humanity through the story of its protagonist, Harry Haller. Haller, a middle-aged intellectual, struggles with his own self-destructive tendencies and feelings of alienation from society. The novel unfolds as Haller encounters ...
Issue #10 January 2018. Hermann Hesse’s Steppenwolf — Accepting the Shadow. by Frank Breslin. Alfred von Wierusz-Kowalski, “The Lone Wolf”, ca 1900. If a work of art could commit a sin, it would be that of leaving those who encounter it indifferent. And perhaps the royal road to indifference is the possession of answers, answers cut-and ...
