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  1. Tetsuo: The Iron Man (鉄男, Tetsuo, 'iron man') is a 1989 Japanese science fiction horror film directed, written, produced, and edited by Shinya Tsukamoto.

  2. Jul 1, 1989 · Tetsuo: The Iron Man: Directed by Shin'ya Tsukamoto. With Tomorô Taguchi, Kei Fujiwara, Nobu Kanaoka, Shin'ya Tsukamoto. A businessman accidentally kills The Metal Fetishist, who gets his revenge by slowly turning the man into a grotesque hybrid of flesh and rusty metal.

  3. Jan 31, 2020 · Tetsuo: The Iron Man Original Trailer (Shinya Tsukamoto, 1989) Arrow Video. 62.9K subscribers. Subscribed. 4.7K. 374K views 4 years ago. Streaming on ARROW in the US & Canada now:...

  4. Dec 31, 2014 · Tetsuo:The Iron Man, Horror Movie, Shinya Tsukamoto Language Japanese Item Size 889.9M

  5. Tetsuo: The Iron Man. A "metal fetishist" (Shin'ya Tsukamoto), driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is...

    • (19)
    • Horror, Sci-Fi, Animation
  6. Watch the stunning stop motion sequences in Tetsuo: The Iron Man, a cult classic of Japanese cyberpunk horror film.

  7. Overflowing with sex, violence, metal fetishism and total hallucinatory meltdown, Tetsuo: The Iron Man is low budget cult cinema at its absolute cultiest – and most viscerally satisfying. You'll...

  8. A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a drive with his girlfriend.

  9. Apr 22, 1992 · A "metal fetishist", driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman and his girlfriend. The pair dispose of the corpse in hopes of quietly moving on with their lives.

  10. Tetsuo: The Iron Man is a 1989 Japanese cyberpunk Body Horror film by cult film director Shinya Tsukamoto. This, his third film, is an extremely graphic but also strikingly-filmed fantasy shot in the same low-budget, underground-production style as his first two films.

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