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  1. Sundance award winning Sin Nombre is an unflinching tale of loyalty and redemption set against the harsh backdrop of modern Mexico. It interweaves two parallel stories; the first dealing the struggles of Sayra (Paulina Gaitan), a beautiful Honduran woman desperately trying to escape to America with her family, the second following Casper (Edgar Flores), a tough gang member placed in an ...

  2. Sin nombre est un thriller américano-mexicain réalisé par Cary Fukunaga, sorti en 2009. ... 18 janvier 2009 (Festival du film de Sundance) ; 17 avril 2009 ...

  3. R. 2009. 1 hr 36 min. 7.5 (33,968) 77. Sin Nombre is a 2009 film directed by Cary Joji Fukunaga that explores the themes of immigration, violence, and family. The movie is set in Honduras and Mexico, and it follows the journey of two teenagers, Sayra and Willy, as they try to escape their violent and impoverished lives.

  4. In Honduras, a man and his son and daughter set out to get into the United States and ultimately New Jersey, where his wife and the rest of the family is. Their journey will take them through Guatemala and Mexico. Meanwhile, in Southern Mexico, a young man is struggling to reconcile his membership of a gang and his personal life. Circumstances will force his and the three Hondurans' paths to ...

  5. Aug 11, 2009 · Storywise, however, the movie feels rather too linear for its own good. Handsome, fundamentally decent young Casper (. Edgar Flores. ) realises he’s in too deep with truly scary Mexican gang the ...

  6. Sin Nombre was a Limited release in 2009 on Friday, March 20, 2009 in around 6 theaters. There were 9 other movies released on the same date, including Duplicity , Knowing and Sunshine Cleaning . As a Limited release, Sin Nombre will only be shown in select movie theaters across major markets.

  7. SIN NOMBRE. Cary Fukunaga, 2009. LE COMMENTAIRE. Les habitudes de voyage diffèrent selon les genres. On note que les femmes ont tendance à rester sereines en toutes circonstances. Elles regardent vers l’avant, confiantes dans le rail. Tandis que les hommes sont à la perpendiculaire, dans le doute. Ils se posent des questions sur la direction.

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