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  1. Jan 28, 2012 · Frankenstein Must Be Destroyed is presented in 1.78:1 anamorphic widescreen. I’ve never seen a good treatment of this film, but Warner has broken that mold with this release. While the image is a little soft due to age, the visuals look tremendous, much better than anyone would expect this film to look. The colors are vivid and bright, and ...

  2. Evil of Frankenstein combines Frankenstein with a Dr Caligari-like character in the form of Zoltan. Frankenstein Created Woman is in many ways a ghost story and Frankenstein Must be Destroyed is Dr Jekyll and Mr Hyde, pitting the Baron against his non-evil doppelganger. The backstory of Brandt and Frankenstein is the biggest clue to this.

  3. Feb 7, 2017 · Frankenstein Must Be Destroyed is a relentlessly paced, visceral, and nihilistic film. The opening, bouncing-off-the-wall sequence, in which the masked Baron interrupts a potential burglar--who in turn stumbles upon a gruesome laboratory straight out of a Josef Mengele nightmare--juxtaposed, as usual, to James Bernard's athletic score, is all ...

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  4. Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature ...

  5. Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Films, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.

  6. Frankenstein Must Be Destroyed. This film marks the return of director Terence Fisher after an extended absence from Hammer productions, as his films were considered too slow and emotional by this point. Fisher has mentioned in multiple interviews (and by his daughter's admittance), that this film was his personal favourite to make, along with ...

  7. Frankenstein Must Be Destroyed is a relentlessly paced, visceral, and nihilistic film. The opening, bouncing-off-the-wall sequence, in which the masked Baron interrupts a potential burglar--who in turn stumbles upon a gruesome laboratory straight out of a Josef Mengele nightmare--juxtaposed, as usual, to James Bernard's athletic score, is all ...

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