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Description. THIS DOUBLE BASS HAS BEEN SOLD, PLEASE CONTACT US FOR OTHER BASSES LIKE THIS. The Carcassi model, inspired by ?Lorenzo Carcassi Fec. Dalla Madonna de Ricci in Firence’, offers great sloping shoulders and a tremendous sound. Lorenzo Carcassi was active as an instrument maker from 1738 till 1757. He was part-owner of the firm ...
Fine Italian cello for sale by Lorenzo Carcassi. A bold, broad-shouldered cello made in 1747 by Carcassi in Florence. The slab-cut maple back features distinctive knots, and the table has original ‘wings’ consistent with 18th century Italian cello construction. The warm bass, mellow ‘A’-string, and relaxed character of tone make this a very enjoyable celloRead More
Lorenzo & Tomaso Carcassi. (fl Florence, c1750–1780) The brothers Lorenzo and Tomaso Carcassi were probably pupils of G.B. Gabrielli, who was the leading violin maker in Florence in the mid-18 th century. As was the case in England at that time, the predominant influence among the Florentine makers was Jacob Stainer.
Italian Double Bass by Lorenzo & Tommaso Carcassi, Florence anno 1752. Title. Default Title - £1,000,000 GBP. Price on application. Contact. Incredibly rare and with the original label. This meticulously made instrument looks just like a big Carcassi violin or viola. The sound is of the most outstanding quality and purity imaginable.
Jan 9, 2021 · The 1757 Lorenzo Carcassi violin has survived a tumultuous journey, first being stolen on the TTC and then sold to a taxi driver before finally making its way back to its rightful owner.
Sep 4, 1999 · In general the work of Lorenzo Carcassi is finer than when he is teamed with his brother Tommasso but this really comes down to the example in question as there will be many exceptions to the rule. The best Carcassi might retail at a major dealer these days for upwards of $150,000.00 Prices for anything but the best examples should be ...
Carcassi, Lorenzo And Tommaso. Active ca. 1750-1780, Florence. Pupils of Giovanni Baptista Gabbrielli, the brothers Carcassi worked both together and individually to varying standards of finish and accuracy, generally to a high-arched Stainer model which prevailed in Florence at that time. Their varnish is generally of a clear, thin yellow colour.
