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  1. Dimitri Tiomkin (n. 10/22 mai 1894, Kremenciuk, gubernia Poltava ⁠(d), Imperiul Rus – d. 11 noiembrie 1979, Londra, Anglia, Regatul Unit) a fost un compozitor rus de muzică de film. Într-o carieră de cinci decenii Tiomkin a devenit unul dintre cei mai celebri și apreciați compozitori de muzică de film de la Hollywood alături de Max Steiner, Miklós Rózsa, Franz Waxman și Alfred ...

  2. Sep 8, 2015 · This memento, presented to Tiomkin after recording the underscore for Metro-Goldwyn-Mayer’s The Great Waltz, is the handiwork of Damase Beauchamp. The French Canadian–born artist, and self described “penman,” lived and worked down the street from Grauman’s Million Dollar Theatre on Broadway in downtown Los Angeles.

  3. Jun 30, 2018 · Whistle Stop is a 1946 film noir crime drama starring George Raft. It’s worthy of viewing if only to see a fresh-faced Ava Gardner as the female lead. In the Dimitri Tiomkin collection at USC’s Cinematic Arts Library, there is a Hollywood Recordings demo record of the song “Once Again” from the film, with music by Dimitri Tiomkin and lyrics by Frederick Herbert.

  4. Explore Dimitri Tiomkin's discography including top tracks, albums, and reviews. Learn all about Dimitri Tiomkin on AllMusic.

  5. Dimitri Tiomkin. 10. svibnja 1894. 11. studenog 1979. Dimitri Zinovievich Tiomkin ( ukrajinski Дмитро́ Зино́війович Тьо́мкін) ( 10. svibnja 1894. – 11. studenog 1979.) bio je američki skladatelj ukrajinskog podrijetla, trostruki dobitnik nagrade Oscar i jedan od najcjenjenijih skladatelja filmske glazbe u Hollywoodu .

  6. Mar 7, 2015 · Original Motion Picture Soundtrack (1959). Composed and Conducted by Dimitri Tiomkin.Please note that the rights belong to the owner. Support the publishers,...

    • Mar 7, 2015
    • 234.7K
    • Soundtrack Fred
  7. Oct 9, 2021 · Dimitri Tiomkin’s co-producing contract shows that he is to receive 10% of the 100% of net profits; however, the prediction of hearty profits in a trade paper review fall short and accounting by Columbia and Highroad by the end of 1970 indicate that “there is still no real likelihood of the picture getting into profit.”

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