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Mondays in the Sun: Directed by Fernando León de Aranoa. With Javier Bardem, Luis Tosar, José Ángel Egido, Nieve de Medina. This is the story of those who live as if every day was a constant Sunday, those who spend their Mondays in the sun.
Mondays in the Sun. Un grupo de astilleros es despedido de su empleo en Vigo. Se enfrentan al reto de encontrar un nuevo trabajo que les permita pagar deudas o conseguir un crédito bancario. Cada día se reúnen en un bar a compartir sus vivencias de esta complicada búsqueda. 59 1 h 53 min 2003. R. Drama · Comedy.
After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is ...
Aug 8, 2003 · Written by. Ignacio Del Moral. "Mondays in the Sun" chronicles the lives of men who were shipbuilders in Spain until the yards closed, and now measure out their lives in drinking and despair. One still goes to apply for jobs, but is too old, and considers hair dye to make himself look younger. Others buy lottery tickets, hoping for good luck ...
Jan 19, 2003 · After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during a protest against the closure. José is ...
Jul 25, 2003 · 1 h 53 m. Summary This story of a group of men searching to maintain their personal dignity is based on the true story of ninety shipyard workers laid off in the gritty north of Spain when the local dockyard closes. Comedy. Drama. Directed By: Fernando León de Aranoa.
The film concludes with one tragedy averted by another and is capped off with a group escapade that recalls the ending of Blake Edwards' "S.O.B." De Aranda shapes his film from the outside in, attaining a real sense of time and place. He opens with footage of rioting, then steps back to let his actors create a tapestry of the aftermath.
