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  1. Luchino Visconti di Modrone, Count of Lonate Pozzolo ( Italian: [luˈkiːno viˈskonti di moˈdroːne]; 2 November 1906 – 17 March 1976) was an Italian filmmaker, theatre and opera director, and screenwriter. He was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty ...

  2. Telefoni Bianchi. Telefoni Bianchi ( pronounced [teˈlɛːfoni ˈbjaŋki]; white telephones) films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. [1]

  3. en.wikipedia.org › wiki › Cinema_NovoCinema Novo - Wikipedia

    Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood -style epics. [6]

  4. Description: Origins and historical context of Italian neorealism, with brief accounts of the major figures and artistic principles of the movement. Discuss the quality of “multiplicity,” a key attribute of all good films.

  5. Language. Italian/English. Shoeshine ( Italian: Sciuscià [ʃuʃˈʃa], from Neapolitan pronunciation of the English) is a 1946 Italian film directed by Vittorio De Sica. Sometimes regarded as his first masterpiece, the film follows two shoeshine boys who get into trouble with the police after trying to find the money to buy a horse.

  6. Index. Download. XML. This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working cl...

  7. Category:Movements in cinema. Category. : Movements in cinema. This is a list of movements in cinema. Throughout the history of cinema, groups of filmmakers, critics, and/or theorists formed ideas about how films could be made, and the theories they generated, along with the films produced according to those theories, are called movements.

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