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  1. Nov 21, 2023 · Science fiction began as a literary genre, but later evolved to include other creative outlets. Sci-fi consists of stories based upon theoretical discoveries, often made in the future. As the name ...

  2. Science fiction - Origins, Genre, Authors: In 1818 Mary Wollstonecraft Shelley took the next major step in the evolution of science fiction when she published Frankenstein: or, The Modern Prometheus. Champions of Shelley as the “mother of science fiction” emphasize her innovative fictional scheme. Abandoning the occult folderol of the conventional Gothic novel, she made her protagonist a ...

  3. Science fiction. Vědeckofantastický žánr nebo též sci-fi a SF (zkratky anglického science fiction) je umělecký žánr (především literární, filmový, herní či výtvarný ), vymezený výskytem spekulativních technologií a přírodních jevů anebo dosud neznámých forem života v díle. Děj sci-fi je často zasazen do ...

  4. Science fiction är en genre inom litteratur och film där bärande element i intrig eller miljö har inslag grundade på vetenskapliga eller teknologiska spekulationer. Begreppet förkortas sedan 1920-talet på svenska oftast som sf, på brittisk engelska SF och på amerikansk engelska sci-fi. En enklare distinktion är att sf används av ...

  5. Oct 9, 2020 · Resurrecting Gernsback’s awkward term is unrealistic, but the problem of competing “value-laden” terminology adds to the difficulties of genre classification. Discovering a popular definition of science fiction is a way of clarifying the real values of the genre as it is understood by a general audience.

  6. Science fiction (or sci-fi or SF) is a film genre that uses speculative, fictional science -based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies.

  7. Summary. The term “speculative fiction” has three historically located meanings: a subgenre of science fiction that deals with human rather than technological problems, a genre distinct from and opposite to science fiction in its exclusive focus on possible futures, and a super category for all genres that deliberately depart from imitating “consensus reality” of everyday experience.

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