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  1. Our review: Parents say ( 60 ): Kids say ( 81 ): Henson, Spencer, and Monáe's stellar performances propel this feel-good biographical drama that teaches audiences about a little-known aspect of NASA's history. Many Civil Rights-era stories are understandably upsetting, showing the unflinchingly ugly institutional racism that African Americans ...

  2. Jan 9, 2017 · Hidden Figures is not that kind of film: It’s a story of brilliance, but not of ego. It’s a story of struggle and willpower, but not of individual glory. Set in 1960s Virginia, the film ...

  3. Hidden Figures movie review film summary (2016) Roger Ebert, SHETTERLY MARGO; SHETTERLY, MARGOT LEE, Esta es la increíble historia de un grupo de matemáticas afroamericanas que con sus cálculos

  4. Dec 19, 2003 · It doesn't just grind out the formula, but seems more like the record of an actual school year than about the needs of the plot. In the delicate dance of audience identification, we get to be both the teacher and her students -- to imagine ourselves as a free spirit in a closed system, and as a student whose life is forever changed by her.

  5. Dec 13, 2019 · The social dynamics presented here are timeless. And yet, improbably, “A Hidden Life” is a tragic story that doesn’t play solely as a tragedy. The misery endured by Franz, Fani and their children is presented as a more extreme version of the pain everyone suffers as the byproduct of life on earth. The rumbling buzz of bombers passing over ...

  6. Jan 13, 2010 · For that matter, no one seems to point to a conclusion that it might suggest. I described the film as "a thriller." So it is, but a thriller that implodes, not releasing its tension in action but coiling it deeper inside. "Cache" on its fundamental level is about a family that becomes aware it is being watched. And not merely watched, but seen.

  7. Sep 8, 2023 · There's an overall lack of thoughtfulness in “The Nun II” regarding scares, and Chaves is vehemently loyal to oversaturated tropes. The movie starkly neglects creativity and, in turn, lacks effective fear. With constant slow pans and loud bangs, Chaves' film signals its viewers at every turn, telling us to be scared rather than inspiring it ...

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