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The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema. [1]
Arabic music ( Arabic: الموسيقى العربية, romanized : al-mūsīqā al-ʿarabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music .
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes. The music of the Ethiopian Highlands uses a fundamental modal system called qenet, of which there are four main modes: tezeta, bati ...
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock ).
Scott Joplin. Scott Joplin (November 24, 1868 – April 1, 1917) was an American composer and pianist. Dubbed the "King of Ragtime ", [1] he composed more than 40 ragtime pieces, [2] one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being ...
The music he soon helped to invent along with influential band Suntharaporn was called pleng Thai sakorn, which incorporated Thai melodies with Western classical music. This music continued to evolve into luk grung, a romantic music that was popular with the upper-class. King Bhumibol was an accomplished jazz musician and composer.
Tannhäuser (opera) March 14, 1861. Paris. The audience was unruly for several reasons. Whistling and cat-calls occurred the night before, during the premiere of the "Paris version," in response to the music, like the shepherd's piping in Act I. Wagner also did not pay the claque 's fee in order to prevent disruptions.
